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##To a romantic, open to other ways of being, Japan is full of wonders. Not that you will ever belong here. But that will set you free. And freedom is better than belonging. You see, here you can make yourself into anything you want to be.
评分##融入。有点漂浮。
评分##It was at an age even younger than the then Buruma when I sensed that my own destiny waiting ahead is what he said, to be déraciné is to be on the road forever. But I also couldn’t help thinking how his whiteness promised this kind of freedom of being a gaijin forever.
评分##这个时代的日本男权真是糟透了。前半部分日本的情欲怪诞文化太猎奇了，后半部分感觉作者被唐十郎PUA了？对这个导演无兴趣，看起也无趣。outsider就是一种无法动摇的身份，作者的融入失败更印证了Freedom is better than belonging. 之前有看到过友邻提到为什么移民会感到清净，因为本地人并不关心你。
评分##透过Buruma的外人视角反思了自己作为外人在他国文化中的身份。最后看到他还是离开日本了，有点难过。maybe I’m also just looking from the wrong window
评分##It was at an age even younger than the then Buruma when I sensed that my own destiny waiting ahead is what he said, to be déraciné is to be on the road forever. But I also couldn’t help thinking how his whiteness promised this kind of freedom of being a gaijin forever.
评分##在东京住了六年的作者最后竟然发现一直look through the wrong window. 毛骨悚然。不过蛮喜欢描写reverse exoticism的。
评分##七十年代的日本文化圈，比较熟悉的有寺山修司、黑泽明和三岛由纪夫，还有宝冢和浅草。作为一个gaijin，作者遗憾自己始终不能融入日本社会，最终选择离开。但反观西方人写日本或东亚，大多也带着猎奇滤镜，エロ、グロ、ナンセンス，彼此彼此吧。就像书里有句话说的：we were both gaijin for life.and we felt safer together.
评分##想象的乡愁
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