鲁迅文集2015新版 共9册 呐喊+花边文学+伪自由书+坟+准风月谈+且介亭杂文二集二心集+野草朝花 pdf epub mobi txt 电子书 下载 2025

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图书标签:

• 鲁迅
• 文集
• 现代文学
• 中国现当代文学
• 小说
• 散文
• 杂文
• 思想
• 文学经典
• 九册本

店铺： 翩若惊鸿图书专营店

出版社： 线装书局

ISBN：9787512007871

商品编码：28734113081

丛书名： 鲁迅文集

开本：16开

出版时间：2013-01-01

商品参数

鲁迅文集2015新版  共9册  呐喊+花边文学+伪自由书+坟+准风月谈+且介亭杂文二集二心集+野草朝花夕拾+华盖集 经典散文集精选文集

目录

鲁迅文集2015新版  共9册  呐喊+花边文学+伪自由书+坟+准风月谈+且介亭杂文二集二心集+野草朝花夕拾+华盖集 经典散文集精选文集

内容介绍

鲁迅文集2015新版  共9册  呐喊+花边文学+伪自由书+坟+准风月谈+且介亭杂文二集二心集+野草朝花夕拾+华盖集 经典散文集精选文集

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中国现代文学的脊梁：鲁迅著作精粹（二十一世纪新版） 卷一：呐喊——时代的呐喊，人性的回响 《呐喊》是鲁迅先生第一部小说集，也是他创作生涯中的一座里程碑。本书收录了《狂人日记》、《孔乙己》、《药》、《阿Q正传》等十七篇脍炙人口的短篇小说。这些作品以冷峻的笔触，深刻地揭示了旧中国社会底层人民的苦难与挣扎，以及被封建礼教和传统观念压抑扭曲的人性。 《狂人日记》以第一人称视角，描绘了一个“迫害狂”患者的视角，窥见了“仁义道德”背后隐藏的“吃人”本质，是对封建礼教最石破天惊的控诉。《孔乙己》中那个深受封建科举制度毒害、好酒但又迂腐不堪的落魄文人，成为了旧时代知识分子悲剧命运的缩影。《药》则以对革命者和围观群众的鲜明对比，无情地讽刺了国民的愚昧麻木。《阿Q正传》更是鲁迅的代表作，塑造了一个在遭受欺凌时只会“精神胜利法”的农民形象，辛辣地批判了国民的劣根性，也映射出整个民族在历史洪流中的迷失与无奈。 《呐喊》中的每一个人物，无论其地位高低，都承载着那个时代的重量。鲁迅先生以其卓越的洞察力和精炼的语言，将这些人物的命运与社会的黑暗面紧密相连，仿佛一声声来自深渊的呐喊，穿透历史的尘埃，至今仍振聋发聩。这些故事不仅仅是文学创作，更是对历史的深沉反思，对人性的无情剖析，是理解二十世纪中国社会转型期不可或缺的窗口。 卷二：花边文学——世俗百态，笔下的众生相 《花边文学》是鲁迅先生杂文创作中的重要一辑，共收录了四十二篇散文、杂感。这些文章风格多样，内容广博，或犀利讽刺，或幽默调侃，或深沉反思，展现了鲁迅先生敏锐的观察力和深刻的思想。 在《花边文学》中，鲁迅先生将目光投向了社会生活的方方面面。从街头巷尾的市井百态，到文坛艺苑的浮光掠影，再到文化现象的深层剖析，他都能够以其独特的视角，捕捉到最本质的特征。例如，他对于“摩罗诗界”的讽刺，对于“论照相之类”的观察，对于“再谈“鬼话””的辨析，无不体现了他对社会现实的深刻洞察和批判精神。 本书的书名“花边文学”，本身就带有一种戏谑和反讽的意味。鲁迅先生借用这个词，意在表明他所关注的，并非那些高高在上、不食人间烟火的“大雅”之作，而是那些贴近生活、反映真实的“花边”内容。然而，正是这些“花边”，才最能真实地反映一个时代的风貌，最能触及人性的真实情感。 《花边文学》的语言风格亦极具特色，时而辛辣如刀，时而温婉如水，时而又嬉笑怒骂，皆成文章。读者在阅读中，既能感受到鲁迅先生的智慧与幽默，也能体会到他对于民族命运的深切忧虑。本书是理解鲁迅先生杂文创作风格和思想内容的重要入门读物，也是感受中国现代文学丰富多彩的语言魅力的绝佳范本。 卷三：伪自由书——思辨的利刃，真理的追寻 《伪自由书》是鲁迅先生又一部重要的杂文集， collection of essays published by Lu Xun in 1933. The collection comprises forty-eight essays, many of which were originally published in newspapers and magazines between 1931 and 1932. The title itself, "Falsehoods of Freedom," immediately signals Lu Xun's critical stance towards certain prevailing ideologies and social phenomena of his time. In this collection, Lu Xun employs his characteristic sharp intellect and biting wit to dissect various aspects of Chinese society, culture, and intellectual life. He critically examines the rhetoric of "freedom" as it was often used and misused, exposing its hollowness and the ways in which it could be manipulated to serve ulterior motives. Lu Xun was deeply concerned with the genuine liberation of the individual and the nation, and he was often critical of those who claimed to champion freedom while perpetuating oppression or intellectual conformity. The essays in "Falsehoods of Freedom" cover a wide range of topics, from literary criticism and political commentary to social observations and personal reflections. Lu Xun's essays are marked by their clarity, conciseness, and profound insight. He possessed an uncanny ability to distill complex issues into their essential components, making his arguments accessible yet powerfully persuasive. Through his sharp observations and incisive critiques, Lu Xun sought to awaken his readers to the realities of their social and political environment. He encouraged critical thinking and challenged complacency, urging people to question established norms and to actively pursue truth and genuine progress. The collection serves as a testament to Lu Xun's unwavering commitment to intellectual honesty and his relentless pursuit of a more just and enlightened society. Reading "Falsehoods of Freedom" provides invaluable insights into the intellectual battles of the early 20th century and the enduring relevance of Lu Xun's thought. 卷四：坟——思想的陵墓，文化的奠基 《坟》是鲁迅先生的又一部杂文集， collection of essays written by Lu Xun between 1907 and 1925. The title, "Graves," suggests a reflection on the past, on the burial of outdated ideas, and on the foundations of a new culture. This collection is particularly significant for its exploration of Chinese cultural history and its critiques of traditional beliefs and practices. In "Graves," Lu Xun delves into a wide array of subjects, often drawing upon historical events, classical texts, and philosophical ideas to illuminate contemporary issues. He critically examines traditional Chinese values and institutions, exposing their shortcomings and advocating for reform. His essays often exhibit a deep respect for genuine cultural heritage while simultaneously expressing a strong desire to shed the shackles of outdated traditions that hindered national progress. The collection includes some of Lu Xun's most important essays, such as "Weeds" (which should not be confused with his poetry collection of the same name), "The Future of the Chinese Nation," and "On the Present State of Chinese Literature." In these essays, Lu Xun engages in profound intellectual debates, often challenging established orthodoxies and proposing new ways of thinking. He was a pioneer in applying critical historical and social analysis to Chinese culture, and his work laid the groundwork for much of modern Chinese literary and intellectual thought. Lu Xun's prose in "Graves" is characterized by its intellectual rigor, its historical depth, and its often melancholic yet resolute tone. He was deeply concerned with the spiritual and intellectual condition of the Chinese people, and his writings served as a powerful call to action for national rejuvenation. The collection is essential for understanding Lu Xun's intellectual development, his engagement with Chinese history and philosophy, and his role as a leading figure in the New Culture Movement. It is a testament to his enduring legacy as a profound thinker and a relentless advocate for progress. 卷五：准风月谈——世俗情怀，人间烟火 《准风月谈》是鲁迅先生的杂文集之一， published in 1933. The title, "On Wind and Moon," hints at a collection that touches upon matters of everyday life, human relationships, and perhaps a subtle critique of romanticized notions or sentimentalism. This collection showcases Lu Xun's ability to observe and comment on the subtler, more personal aspects of human experience within the broader social and political context. In "On Wind and Moon," Lu Xun addresses a variety of topics, often with a keen eye for the ironies and absurdities of human behavior. While the title might suggest lighter fare, Lu Xun's approach is never superficial. He uses these everyday observations as a springboard for deeper reflections on human nature, social customs, and the impact of broader societal forces on individual lives. He is known for his sharp wit and his ability to find profound meaning in seemingly ordinary occurrences. The essays in this collection may touch upon themes of love, marriage, social interactions, and the complexities of human emotions, all viewed through Lu Xun's characteristic critical lens. He often deconstructs idealized portrayals and exposes the underlying realities, encouraging readers to look beyond superficial appearances. His discussions might be laced with humor, but the underlying purpose is always to provoke thought and to foster a more realistic understanding of the world. "On Wind and Moon" demonstrates Lu Xun's versatility as a writer. He could engage in weighty political discourse, dissect complex philosophical ideas, and also offer insightful commentary on the nuances of human relationships and social life. The collection is valuable for understanding the breadth of Lu Xun's concerns and his remarkable ability to connect the personal with the universal, offering readers a rich tapestry of human experience as seen through the eyes of one of China's greatest modern writers. 卷六：且介亭杂文二集——反思与批判的再出发 《且介亭杂文二集》是鲁迅先生“且介亭”系列杂文中的一部， published in 1934. This collection continues Lu Xun's relentless engagement with the socio-political and cultural landscape of China, demonstrating his persistent spirit of inquiry and his unwavering commitment to critical analysis. The essays within this volume are representative of his mature style, characterized by profound insight, sharp wit, and a deep concern for the welfare of the nation and its people. In "Second Collection of Essays from the Studio of Qin Jie," Lu Xun revisits and further develops many of the themes that preoccupied him throughout his career. He continues to scrutinize issues of national identity, intellectual subservience, and the struggle for genuine progress. The essays often engage with contemporary events and intellectual debates, offering his unique perspective on the challenges facing China. Lu Xun's critical gaze is as sharp as ever, dissecting ideological fallacies, social injustices, and cultural shortcomings with his characteristic lucidity and force. The collection likely features essays that delve into literary criticism, historical interpretation, and social commentary. Lu Xun was not one to shy away from controversial topics, and his writings in this volume undoubtedly reflect his courage in confronting difficult truths. He often used his essays as a platform to awaken public consciousness, to challenge complacency, and to advocate for a more enlightened and humane society. His observations are not merely descriptive; they are often calls to critical reflection and action. "Second Collection of Essays from the Studio of Qin Jie" is an indispensable part of understanding Lu Xun's later writings. It showcases his continued intellectual vitality and his ability to adapt his critique to the evolving circumstances of his time. The essays are marked by their depth of thought, their stylistic precision, and their enduring relevance, providing readers with profound insights into the complexities of human society and the persistent struggle for truth and liberation. 卷七：二心集——矛盾的探索，时代的印记 《二心集》是鲁迅先生创作于1931年至1932年间的一部重要杂文集， published in 1932. The title, "Collected Essays with Two Minds," or "Collected Essays of Conflicting Ideas," is particularly revealing. It suggests a collection that grapples with internal contradictions, societal paradoxes, and the complexities of navigating a rapidly changing and often confusing world. This volume reflects Lu Xun's nuanced and often conflicted perspective on the turbulent era in which he lived. In "Collected Essays with Two Minds," Lu Xun continues his incisive critique of societal ills and intellectual stagnation. The essays explore a range of themes, often delving into the psychological and philosophical underpinnings of human behavior and societal dynamics. He may examine the contradictions inherent in political ideologies, the challenges faced by intellectuals, and the struggles of ordinary people caught in the currents of historical change. The "two minds" could represent the tension between his idealism and his realism, his hope for the future and his awareness of present difficulties, or the conflicting forces at play within Chinese society itself. This collection is likely to contain essays where Lu Xun engages in direct polemics against his ideological opponents, while also offering more introspective reflections on his own thoughts and experiences. His writing in "Collected Essays with Two Minds" is characterized by its intellectual rigor, its emotional honesty, and its ability to provoke deep thought. He uses his essays as a means to dissect the complexities of the human condition and the challenges of social transformation. Reading "Collected Essays with Two Minds" offers a valuable window into Lu Xun's intellectual journey during a particularly critical period in Chinese history. It highlights his capacity for self-reflection and his unwavering commitment to confronting difficult truths, even when those truths involved personal or societal contradictions. This collection is a testament to his enduring legacy as a profound thinker who was unafraid to explore the multifaceted and often paradoxical nature of reality. 卷八：野草——生命之歌，命运之语 《野草》是鲁迅先生创作于1924年至1926年间的一部散文诗集， published in 1927. This collection stands apart from his prose works, offering a more introspective, lyrical, and deeply symbolic exploration of life, death, suffering, and hope. The title, "Wild Grass," evokes images of resilience, tenacity, and untamed growth, often found in harsh or neglected environments. In "Wild Grass," Lu Xun delves into the depths of his own consciousness and his profound reflections on the human condition. These are not conventional poems but rather prose pieces imbued with poetic intensity and rich symbolism. Each piece is a miniature exploration of profound themes, often marked by a stark beauty and a poignant emotional resonance. He grapples with existential questions, personal struggles, and the broader predicament of humanity. The essays within "Wild Grass" are characterized by their dreamlike quality, their metaphorical language, and their exploration of complex emotional landscapes. He contemplates the nature of existence, the pain of suffering, the search for meaning, and the enduring flicker of hope even in the darkest of times. Works like "Autumn Night," "The Shadow," and "Hope" are powerful examples of his ability to translate profound inner experiences into evocative prose. "Wild Grass" is often considered one of Lu Xun's most personal and intensely emotional works. It reveals a different facet of his genius, one that is more introspective and philosophical. The collection is a testament to his artistic courage and his willingness to explore the depths of the human psyche. Reading "Wild Grass" offers a unique and powerful experience, allowing readers to connect with Lu Xun on a more profound and spiritual level, and to appreciate the enduring beauty and resilience of the human spirit. 卷九：朝花夕拾——往昔的回眸，生命的拾遗 《朝花夕拾》是鲁迅先生创作于1926年的散文集， published in 1928. The title, "Morning Flowers Picked at Dusk," suggests a collection of recollections, memories, and reflections from his past, gathered and contemplated in the twilight of his life. This volume is characterized by its warm nostalgia, its gentle humor, and its deep affection for people and events that shaped him. In "Morning Flowers Picked at Dusk," Lu Xun revisits his childhood and youth, sharing poignant and often humorous anecdotes about his family, his teachers, and his early experiences. Unlike the sharp critiques found in some of his other works, this collection often displays a more tender and autobiographical tone. He fondly recalls his grandmother, his early schooling, and his encounters with various individuals who left an impression on him. The essays in this collection are notable for their vivid descriptions and their ability to evoke a sense of time and place. He paints a rich tapestry of life in Shaoxing, his hometown, and his early life in Nanjing and Japan. The essays, such as "From Childhood," "My Old Home," and "The Last Meal," offer intimate glimpses into his personal life and the formative experiences that contributed to his intellectual and artistic development. "Morning Flowers Picked at Dusk" is beloved for its human warmth and its accessibility. It reveals a softer, more sentimental side of Lu Xun, allowing readers to connect with him on a personal level. While still imbued with his keen observational skills, the focus is on remembrance and appreciation, offering a lyrical and nostalgic look back at the moments that shaped a towering figure of modern Chinese literature. This collection serves as a beautiful complement to his more polemical writings, providing a holistic view of the man and his enduring legacy.

评分☆☆☆☆☆

这套《鲁迅文集2015新版》，收到的时候真是惊喜连连。书的装帧设计简洁大气，拿在手里沉甸甸的，非常有质感。纸张的选用也很考究，触感温润，阅读起来非常舒适，不会有廉价感。 更重要的是，这套书的内容选择，简直是深得我心。鲁迅先生的文章，我一直很喜欢，尤其是那些直击人心的杂文，读来总能引发深深的思考。这套书收录了《呐喊》、《野草》、《朝花夕拾》这些经典篇章，自然是不用多说，每次重读都能有新的感悟。而像《花边文学》、《伪自由书》、《坟》、《准风月谈》、《且介亭杂文二集》、《二心集》这些，更是鲁迅先生思想的精华所在，他对社会现实的批判，对国民性的反思，以及对民族命运的关切，都淋漓尽致地体现在字里行间。 我尤其喜欢《且介亭杂文二集》和《二心集》里的文章，那些文字锋利而又充满力量，读着读着，仿佛就能看到先生在那个年代，以笔为刀，与黑暗势力搏斗的身影。先生的文章，不是那种一味地宣泄情绪的文字，而是带着冷静的分析和深刻的洞察，让你在被触动的同时，也能清晰地看到问题的本质。 拿到这套书，我迫不及待地翻阅起来，感觉就像是和一位智者进行跨越时空的对话。每一个字，每一句话，都饱含着深邃的思想和真挚的情感。这本书不仅仅是文学作品，更是一份沉甸甸的历史文献，它记录了一个时代，也塑造了一代人的精神。

评分☆☆☆☆☆

不得不说，这套《鲁迅文集2015新版》着实是一次令人振奋的阅读体验。从拿到书的那一刻起，就感受到一种不同寻常的厚重感，不仅仅是体积上的，更是内容上的。书页泛着淡淡的墨香，摸上去有种恰到好处的粗糙感，这对于一个纸质书爱好者来说，无疑是一种享受。 这套文集的编排也颇具匠心，将鲁迅先生不同时期、不同主题的作品巧妙地整合在一起，形成了一个有机的整体。我最先翻开的是《呐喊》，里面的《狂人日记》和《阿Q正传》早已是耳熟能详，但每一次重读，都能从中挖掘出新的意蕴。先生笔下的那些人物，那些场景，仿佛就发生在昨天，让人不禁唏嘘。 接着翻到《野草》，那是一种截然不同的风格。这里的文字更加凝练、更加深沉，充满了哲思和象征。鲁迅先生在《野草》中展现出的内心世界，那种孤独、挣扎与探索，深深地打动了我。这不仅仅是个人情感的抒发，更是对人生、对社会普遍存在的困境的写照。 然后是《朝花夕拾》，散文的篇幅，却有着比小说更强的感染力。那些回忆中的片段，那些人物的刻画，都显得格外生动。我尤其喜欢《从百草园到三味书屋》，字里行间洋溢着童年的纯真和对自然的热爱，与先生其他作品的批判性形成了鲜明的对比，却也同样深刻。 这套书让我有机会系统地、全面地接触鲁迅先生的作品，感受他思想的广度和深度。每一本都像是一扇窗，让我得以窥探那个时代，也得以理解那些深刻的社会问题。

评分☆☆☆☆☆

刚收到这套《鲁迅文集2015新版》，就迫不及待地开始阅读。首先映入眼帘的是它精致的装帧，简约而不失格调，无论是书脊的设计还是封面的排版，都透露出一种沉稳的历史感。翻开书页，触感细腻，印刷清晰，阅读体验极佳，完全没有那种浮躁的现代感。 我最先沉浸其中的是《坟》和《准风月谈》中的杂文。鲁迅先生的杂文，就如同他本人一样，是那个时代最锐利的观察者和最深刻的批判者。在《坟》中，他对中国传统文化的剖析，对社会弊病的揭露，以及对知识分子命运的担忧，都让我感触颇深。他提出的问题，很多至今仍具有现实意义，仿佛穿越时空，在耳边回响。 而《准风月谈》则展现了鲁迅先生更为鲜活、更为接地气的一面。他在日常的观察中捕捉社会现象，用犀利的笔触加以评论，既有幽默感，又不失深度。那些看似闲聊的文字，实则充满了对现实的洞察和对人性的反思。读他的杂文，常常会让人在会心一笑之余，陷入沉思。 这套书的另一个亮点在于其内容的丰富性。除了那些广为人知的《呐喊》、《野草》等，像《花边文学》、《伪自由书》、《且介亭杂文二集》、《二心集》等作品，更是鲁迅先生思想体系的重要组成部分。它们共同构成了鲁迅思想的完整图景，让读者能够更全面地理解他的文学主张和社会关怀。 总而言之，这套文集不仅是一套书，更是一份精神食粮，它让我重新审视了历史，也启迪了我对当下社会的思考。

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这套《鲁迅文集2015新版》的到来，让我对鲁迅先生这位伟大的文学家、思想家有了更深层次的认识。书的整体风格非常统一，却又各有千秋，给人的第一印象是大气、沉稳，仿佛一本厚重的历史书，值得慢慢品味。纸张的质感非常好，捧在手里就知道是经过用心挑选的，阅读起来眼睛也不易疲劳。 我花了相当一部分时间在《且介亭杂文二集》和《二心集》上。鲁迅先生的杂文，我一直认为是他思想中最精华的部分。他以其独特的视角，犀利的笔锋，剖析社会百态，揭露国民劣根性，字字珠玑，句句戳心。读他的杂文，总有一种如鲠在喉的感觉，仿佛被点醒，又仿佛被刺痛。 《且介亭杂文二集》中的文章，很多都直面当时社会最尖锐的问题，他毫不留情地批判虚伪、保守和麻木，展现了一个思想家对民族命运的忧虑和责任感。而《二心集》则更侧重于对思想文化领域的探讨，他对各种思潮的辨析，对革命道路的思考，都展现了他深邃的智慧。 这套书不仅仅是阅读，更是一种学习和反思的过程。鲁迅先生的文章，不只是文学作品，更是时代的见证，是思想的火花。他的文字，穿越了时间，至今仍能引起强烈共鸣。 我喜欢这套书的排版，字号适中，行间距舒适，读起来毫无压力。每一本书都装帧精美，整体感强，放在书架上也是一道亮丽的风景线。

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这套《鲁迅文集2015新版》绝对是一次令人欣喜的购书体验。从包装到书的本身，都透着一股认真的劲儿。书的整体风格既复古又不失现代感，拿在手里很有分量，感觉是一件值得珍藏的物品。翻开书页，纸张的触感温润，印刷的字迹清晰锐利，阅读体验相当棒，不会有那种廉价的纸质书的感觉。 我被《呐喊》和《野草》深深吸引。我一直觉得，鲁迅先生的《呐喊》系列，是那个时代中国社会最真实的写照。那些故事，那些人物，都带着浓厚的时代烙印，却又能在字里行间感受到深刻的人性洞察。而《野草》则让我看到了鲁迅先生内心深处更柔软、更孤独的一面，那种哲思的深度，常常让我沉浸其中，久久不能自拔。 《朝花夕拾》的文字，带着一种淡淡的怀旧色彩，回忆中的人和事，都显得格外生动。我尤其喜欢先生在书中对童年生活的描绘，那种质朴而真挚的情感，很容易引起共鸣。 这本书的价值在于它能够让你全面地、系统地去理解鲁迅先生的作品。它不仅仅是零散的阅读，而是通过不同类别的作品，让你看到鲁迅先生思想的演变和发展的脉络。 这套书的装帧设计非常有品味，无论是书脊的统一风格，还是封面的简洁设计，都让人眼前一亮。它不仅是一套书，更是一件艺术品，非常适合放在书房里。