WKW

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Wong Kar Wai
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具体描述

The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.

The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.

The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.

用户评价

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##拖最久的一本书,因为实在太沉了。。终于看完了,墨镜真是可爱的小天才。

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##拖最久的一本书,因为实在太沉了。。终于看完了,墨镜真是可爱的小天才。

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##王用了一个我不认识的英文单词。

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##“他的电影里总有时间、香烟、食物、反复出现的音乐和梁朝伟。”

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##他的用功程度比孝賢還要誇張。現場不需要劇本也是他的用功方法之一。相當可怕的創作方式,等同於先榨乾自己,再榨乾劇組,最後再榨乾一次自己

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##隔了一年多终于翻完了。由于我对WKW的印象仍然停留在他拖延以及不靠谱上所以当我看到他自己对春光乍泄电影寓意的时候竟然觉得很扯… 还有Fallen Angels竟然是因为李嘉欣演技不好所以用那样的拍摄手法笑到我了 收藏收藏!

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##出个中文版 我照样买

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##惊世旷世之作也许需要遭逢大难,历尽苦海波澜,食尽人间苦味,在绝望中回首绝望,可健康幸福美满的人生与创造一流的艺术品并不必然违逆。用并没有熟练到可以如杨德昌一般用来思维的英语接受采访也算是典型的墨镜风格,朦胧模糊的语言类似于他酷爱的停格加印技巧。从访谈录的层面评估,只读这一本,足够。

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##终于读完了~当年饭桌上LOOK推荐,九苍说买来看看,我腆着脸说给我带本,然后17年SIFF他给我背回来了,在家里躺了两年半,总算读完~非常硬核的创作谈,WKW聊创作一点没有拍电影的百转千回...墨镜王是文艺青年的产品经理,文艺青年并不清楚他们的需求在哪里,墨镜王却天生能捕捉到那种“虚渺”的诉求。台词、人物、电影化场景都是表象,情节更是可以在剪辑台上靠着旁白来倒着编;从《阿飞正传》起就是拿电影当“诗与远方”去拍,将传承、被拒绝/被接受、遗忘这些虚缈的主题(也是所谓“文艺”的主题)以虚缈的方式展开、揭示;就算是政治的内核,也可以被锁在一个同性的故事中...有的人拍摄情节故事,有的人打磨人物性格,有的人却着意营造让人怀念、稍纵即逝的氛围...

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