The Little Old Lady Who Was Not Afraid of Anything什麼都不怕的小老太太 英文原版 [平裝] [4歲及以上] pdf epub mobi txt 電子書 下載 2025

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☆☆☆☆☆

Linda D. Williams（琳達·D·威廉姆斯） 著，Megan Lloyd（梅甘·勞埃德） 繪

圖書標籤:

• 繪本
• 兒童文學
• 英語原版
• 4歲以上
• 冒險
• 幽默
• 萬聖節
• 勇敢
• 老奶奶
• 節日故事

齣版社： HarperCollins US

ISBN：9780064431835

商品編碼：19009589

包裝：平裝

齣版時間：1983-06-29

頁數：32

正文語種：英文

商品尺寸：20.3x25.4x0.4cm;0.132kg

內容簡介

0nce upon a time, there was a little old lady who was not afraid of anything! But one autumn night, while walking in the woods, the little old lady heard... CLOMP, CLOMP, SHAKE, SHAKE, CLAP, CLAP. And the little old lady who was not afraid of anything had the scare of her life!

作者簡介

Linda Williams is the director of a child development center. The Little Old Lady Who Was Not Afraid of Anything is her first book for children.

精彩書評

In this just-spooky-enough tale, an old lady puts to good use some animated objects that are trying to frighten her. Ages 3-7.
——From Publishers Weekly

PreSchool-Grade 2 A delightful picture book, perfect for both independent reading pleasure and for telling aloud. The Little Old Lady... is a clever reworking of the classic story of a ghostly body that appears bit by bit (see ``What's the Matter'' in Maria Leach's Whistle in the Graveyard Viking, 1974 ). The humor of the little old lady's fearless attitude and her clever solution as to what to do with the lively shoes, pants, shirt, pumpkin head, etc., that are chasing her, will enchant young audiences. The catchy refrain never falters, and the rhythmic repeated sounds made by each of the woman's pursuers are sure to appeal to children. Lloyd's brilliantly-colored, detailed folk art-style illustrations are a perfect complement to the text. A great purchase for Halloween or any time of the year, and a must for both school and public libraries.
——Alice Cronin, Belleville Public Library, N.J.,From School Library Journal

"A great purchase for Halloween or any time of the year."
——School Library Journal

"A splendiferous Halloween story. A sure-fire winner with gloriously noisy actions for storytelling and just shivery enough."
——The Horn Book

前言/序言

評分☆☆☆☆☆

評分☆☆☆☆☆

繪本十七世紀誕生於歐洲，二十世紀三十年代，繪本圖畫書的主流傳嚮瞭美國，繪本圖書迎來瞭黃金時代。五六十年代，繪本開始在韓國、日本興起，七十年，颱灣也開始瞭繪本閱讀，隨後引起繪本閱讀的熱潮。繪本不僅是講故事，學知識，而且可以全麵幫助孩子建構精神，培養多元智能。二十一世紀，繪本閱讀已經成瞭全世界兒童閱讀的時尚。 繪本十七世紀誕生於歐洲，二十世紀三十年代，繪本圖畫書的主流傳嚮瞭美國，繪本圖書迎來瞭黃金時代。五六十年代，繪本開始在韓國、日本興起，七十年，颱灣也開始瞭繪本閱讀，隨後引起繪本閱讀的熱潮。繪本不僅是講故事，學知識，而且可以全麵幫助孩子建構精神，培養多元智能。二十一世紀，繪本閱讀已經成瞭全世界兒童閱讀的時尚。 繪本十七世紀誕生於歐洲，二十世紀三十年代，繪本圖畫書的主流傳嚮瞭美國，繪本圖書迎來瞭黃金時代。五六十年代，繪本開始在韓國、日本興起，七十年，颱灣也開始瞭繪本閱讀，隨後引起繪本閱讀的熱潮。繪本不僅是講故事，學知識，而且可以全麵幫助孩子建構精神，培養多元智能。二十一世紀，繪本閱讀已經成瞭全世界兒童閱讀的時尚。 繪本十七世紀誕生於歐洲，二十世紀三十年代，繪本圖畫書的主流傳嚮瞭美國，繪本圖

評分☆☆☆☆☆

不錯，網上找得到音頻，最喜歡有音頻的書瞭

評分☆☆☆☆☆

心怡在悉心照料下好轉很多，譚麗萍也有更多機會來接觸我姥爺瞭。加上春美夏，三個女人一颱戲，我姥爺的生活頓時變得熱鬧起來。他本來發誓等日本人走瞭再結婚的，可現在怎麼突然一下子冒齣這麼多女人來？這三個女人裏，隻有春美夏是讓姥爺最矛盾的，姥爺既礙於她日本人的身份，內心深處又無法抵擋她熾熱的感情，還需要用她貴族小姐的地位給自己做掩護、搜集內部信息。姥爺就在這樣的矛盾心理中繼續準備著自己的復仇大計。心怡在悉心照料下好轉很多，譚麗萍也有更多機會來接觸我姥爺瞭。加上春美夏，三個女人一颱戲，我姥爺的生活頓時變得熱鬧起來。他本來發誓等日本人走瞭再結婚的，可現在怎麼突然一下子冒齣這麼多女人來？這三個女人裏，隻有春美夏是讓姥爺最矛盾的，姥爺既礙於她日本人的身份，內心深處又無法抵擋她熾熱的感情，還需要用她貴族小姐的地位給自己做掩護、搜集內部信息。姥爺就在這樣的矛盾心理中繼續準備著自己的復仇大計。心怡在悉心照料下好轉很多，譚麗萍也有更多機會來接觸我姥爺瞭。加上春美夏，三個女人一颱戲，我姥爺的生活頓時變得熱鬧

評分☆☆☆☆☆

還行，不過孩子沒有其他書那麼喜歡，鍛煉膽子

評分☆☆☆☆☆

朋友推薦，經典好書，畫風可愛。朋友推薦，經典好書，畫風可愛。

評分☆☆☆☆☆

I like it very much because my son like it. It's simple and nice book to read for baby and toddler more comment on books please visit children picture club at www.ebama.net

評分☆☆☆☆☆

When asked, Maurice Sendak insisted that he was not a comics artist, but an illustrator. However, it's hard to not notice comics aspects in works like In the Night Kitchen. The child of the story is depicted floating from panel to panel as he drifts through the fantastic dream world of the bakers' kitchen. Sendak's use of multiple panels and integrated hand-lettered text is an interesting contrast to his more traditional children's books containing single-page illustrations such as his wildly popular Where the Wild Things Are.作為入門閱讀很不錯

評分☆☆☆☆☆

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