具體描述
Haruki Murakami, the internationally bestselling author of Norwegian Wood and The Wind-Up Bird Chronicle , plunges us into an urbane Japan of jazz bars, coffee shops, Jack Kerouac, and the Beatles to tell this story of a tangled triangle of uniquely unrequited loves.
A college student, identified only as “K,” falls in love with his classmate, Sumire. But devotion to an untidy writerly life precludes her from any personal commitments–until she meets Miu, an older and much more sophisticated businesswoman. When Sumire disappears from an island off the coast of Greece, “K” is solicited to join the search party and finds himself drawn back into her world and beset by ominous, haunting visions. A love story combined with a detective story, Sputnik Sweetheart ultimately lingers in the mind as a profound meditation on human longing.
Haruki Murakami, the internationally bestselling author of Norwegian Wood and The Wind-Up Bird Chronicle , plunges us into an urbane Japan of jazz bars, coffee shops, Jack Kerouac, and the Beatles to tell this story of a tangled triangle of uniquely unrequited loves.
A college student, identified only as ?K,? falls in love with his classmate, Sumire. But devotion to an untidy writerly life precludes her from any personal commitments?until she meets Miu, an older and much more sophisticated businesswoman. When Sumire disappears from an island off the coast of Greece, ?K? is solicited to join the search party and finds himself drawn back into her world and beset by ominous, haunting visions. A love story combined with a detective story, Sputnik Sweetheart ultimately lingers in the mind as a profound meditation on human longing.
用戶評價
##在月亮下夜讀有股寒意。。
評分##對“我”和學生（女伴的兒子）最後的那段特彆印象深刻
評分##這本真的挺難看的。後半部完全跳著讀完
評分##沒有什麼是真實的，我們看到的不過是按照我們想看到的樣子呈現的世界。
評分##2018.12.17-12.23.為什麼村上春樹每次都隻能寫半部好書？冰冷的在太空寂寞鏇轉的Sputnik是多麼妙的隱喻，可是我覺得故事的後半段從男主人公去希臘開始就崩瞭，實在是太遺憾瞭。
評分##前期作品一直都彌漫著一種感傷的虛無主義，寫的是消費時代下大眾的孤獨主題。在這篇小說中，孤獨的主題仍被繼續延伸。當堇自從發現對敏的心意時便將其稱作“斯普特尼剋戀人”，斯普特尼剋的音譯是旅伴的意思，但發射的兩顆斯普特尼剋衛星卻沒能收迴，因此斯普特尼剋的隱藏含義卻是孤獨。此次村上將孤獨的主題發揮到極緻。但在作品中，在孤獨主題前提下，開始瞭自我尋找、自我質疑的寫作意識，K常常在自問我是什麼，我在追求什麼，我要往哪裏去，村上開始自我的尋求定義與確定，這與以往的“都市文學”有所進步，不再是那種文本的陌生化，保持著一定的距離，隻一味地沉浸在自己所營造的世界中，由介入精神的尋求到至今的承擔起文學救贖。
評分##在月亮下夜讀有股寒意。。
評分##沒有什麼是真實的，我們看到的不過是按照我們想看到的樣子呈現的世界。
評分##Beatnik & Sputnik +_+
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