具體描述
A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and his close friend, the former conductor of the Boston Symphony Orchestra.
Haruki Murakami’s passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and from The Beatles’ “Norwegian Wood” to Franz Liszt’s “Years of Pilgrimage,” the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk, over a period of two years, about their shared interest. Transcribed from lengthy conversations about the nature of music and writing, here they discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more. Ultimately this book gives readers an unprecedented glimpse into the minds of the two maestros.
It is essential reading for book and music lovers everywhere.
用戶評價
##當年寫過書評在書上，送給瞭一個朋友。
評分##以前看的。
評分##本書最大的價值於我是小澤徵爾的音樂史八卦，由對話這種形式而引齣，顯得自然又富有韻味。因為指揮傢的話比較少，所以中段會覺得村上春樹太羅嗦。小澤徵爾的敘述幫助我對指揮有瞭更豐富的瞭解（和指揮大師們共事的迴憶非常精彩），對古爾德的評價（可惜最核心的部分被刪去瞭），馬勒演繹的發展和其音樂的特色，四重奏於古典音樂的地位等。值得一看。
評分##a lot of rambling and flattering...
評分##Such a book! 誰能想到有一天村上春樹能讓人不停聽馬勒❤️❤️❤️❤️
評分##村上的小說也就那麼迴事吧，尤其是《海邊的卡夫卡》之後，對我來說已經可有可無瞭。但是他的隨筆，不管是談文學、談跑步，談音樂，還是談飲食、棒球，每次讀都感到愉快。這本訪談錄也不例外。先讀的中譯《與小澤徵爾共度的午後音樂時光》。
評分##印象最深的是小澤徵爾談Mahler 讀譜的時候多麼的驚為天人和與眾不同 可惜我無法體會 還有因為理解偉大藝術而對時間的渴望 希望有一天我可以接近這種感覺 #First in 2017
評分##音樂票友和指揮的尬聊，完全雞同鴨講，不在一個世界。感覺小澤徵爾還是性格好，敷衍得很用力。另外這種錄音整理的內容（連小澤喝茶的時候問桌上放的是糖嗎都要記在對話中）為什麼要寫成書？
評分##bought at Logan on one of those trips to Shanghai
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