A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and his close friend, the former conductor of the Boston Symphony Orchestra.
Haruki Murakami’s passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and from The Beatles’ “Norwegian Wood” to Franz Liszt’s “Years of Pilgrimage,” the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk, over a period of two years, about their shared interest. Transcribed from lengthy conversations about the nature of music and writing, here they discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more. Ultimately this book gives readers an unprecedented glimpse into the minds of the two maestros.
It is essential reading for book and music lovers everywhere.
##音乐票友和指挥的尬聊,完全鸡同鸭讲,不在一个世界。感觉小泽征尔还是性格好,敷衍得很用力。另外这种录音整理的内容(连小泽喝茶的时候问桌上放的是糖吗都要记在对话中)为什么要写成书?
评分##音乐票友和指挥的尬聊,完全鸡同鸭讲,不在一个世界。感觉小泽征尔还是性格好,敷衍得很用力。另外这种录音整理的内容(连小泽喝茶的时候问桌上放的是糖吗都要记在对话中)为什么要写成书?
评分##a lot of rambling and flattering...
评分第一部分尤其好看。两人坐在村上家中,听着春树收藏的老碟,聊到Gould、Lenny、Karajan。
评分##除了讲古尔德的第一部分有一些八卦上的收获外,其他读起来也没啥特兴奋的。。大概因为我听他的录音太少了。。
评分##最开始买的中文译本没有读下去,现在就着录音看英文版却觉得非常流畅,很棒的一本书。
评分##本书最大的价值于我是小泽征尔的音乐史八卦,由对话这种形式而引出,显得自然又富有韵味。因为指挥家的话比较少,所以中段会觉得村上春树太罗嗦。小泽征尔的叙述帮助我对指挥有了更丰富的了解(和指挥大师们共事的回忆非常精彩),对古尔德的评价(可惜最核心的部分被删去了),马勒演绎的发展和其音乐的特色,四重奏于古典音乐的地位等。值得一看。
评分##这本大概是永远也读不完了。挺难定位的。交响入门指南。
评分##这本大概是永远也读不完了。挺难定位的。交响入门指南。
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