具體描述
內容簡介
Now updated with a new Epilogue and Afterword, photos of Enrique and his family, an author interview, and more, this is the definitive edition of a classic of contemporary America.
Based on the Los Angeles Times newspaper series that won two Pulitzer Prizes, one for feature writing and another for feature photography, this astonishing story puts a human face on the ongoing debate about immigration reform in the United States. Now a beloved classic, this page-turner about the power of family is a popular text in classrooms and a touchstone for communities across the country to engage in meaningful discussions about this essential American subject.
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Enrique’s Journey recounts the unforgettable quest of a Honduran boy looking for his mother, eleven years after she is forced to leave her starving family to find work in the United States. Braving unimaginable peril, often clinging to the sides and tops of freight trains, Enrique travels through hostile worlds full of thugs, bandits, and corrupt cops. But he pushes forward, relying on his wit, courage, hope, and the kindness of strangers. As Isabel Allende writes: “This is a twenty-first-century Odyssey. If you are going to read only one nonfiction book this year, it has to be this one.”
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“Magnificent . . . Enrique’s Journey is about love. It’s about family. It’s about home.”—The Washington Post Book World
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“[A] searing report from the immigration frontlines . . . as harrowing as it is heartbreaking.”—People (four stars)
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“Stunning . . . As an adventure narrative alone, Enrique’s Journey is a worthy read. . . . Nazario’s impressive piece of reporting [turns] the current immigration controversy from a political story into a personal one.”—Entertainment Weekly
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“Gripping and harrowing . . . a story begging to be told.”—The Christian Science Monitor
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“[A] prodigious feat of reporting . . . [Sonia Nazario is] amazingly thorough and intrepid.”—Newsday, 作者簡介
Sonia Nazario, a projects reporter for the Los Angeles Times, has spent more than two decades reporting and writing about social issues, earning her dozens of national awards. The newspaper series upon which this book is based won the Pulitzer Prize for feature writing, the George Polk Award for International Reporting, and the Grand Prize of the Robert F. Kennedy Journalism Awards. Nazario grew up in Kansas and Argentina. She is a graduate of Williams College and has a master’s degree in Latin American studies from the University of California, Berkeley. She lives in Los Angeles with her husband. For more information, visit www.enriquesjourney.com.
To schedule a speaking engagement, please contact American Program Bureau at www.apbspeakers.com ?,,, 精彩書評
Praise & Awards for Enrique’s Journey
2011 Williams College Book Award Program, for “Enrique’s Journey”
2006 California Book Award, Silver Medal, Non-fiction
2006 Christopher Book Award
2003 Pulitzer Prize, feature writing, for “Enrique’s Journey”
2002 George Polk Award for International Reporting, for “Enrique’s Journey”
2002 Robert F. Kennedy Journalism Award for Outstanding Coverage of the Problems of the Disadvantaged, Grand Prize Winner, for “Enrique’s Journey”
"A?prodigious feat of reporting . . . vivid and detailed . . . [Nazario is] amazingly thorough and intrepid.”—Newsday
“A stirring and troubling book about a magnificent journey. . . . It’s the stuff of myth . . . [but] Enrique’s Journey?is true . . . A microcosm of the massive exodus pouring over the borders of our nations. . . . Enrique's suffering and bravery become universal, and one cannot fail to be moved by the desperation and sheer strength of spirit that guides these lonely wanderers. . . . Enrique’s Journey?is about love. It’s about family. It’s about home. . . . The border will continue to trouble the dreams of anyone who is paying attention. . . . Enrique’s Journey?is among the best border books yet written.”—The Washington Post Book World
“An amazing tale . . . for some journalists, research means sitting at a computer and surfing Google . . . For Sonia Nazario . . . it means leaving home for months at a time to sit on top of a moving freight train running the length of Mexico, risking gangsters and bandits and the occasional tree branch that might knock her off and thrust her under the wheels. It means not eating, drinking water or going to the bathroom for 16-hour stretches-all in service to the story.”—San Francisco Chronicle
“Compelling . . . Nazario doesn’t pull any punches.”—Dallas Morning News
“[A] searing report from the immigration frontlines . . . as harrowing as it is heartbreaking. . . . [Nazario] is a fearless reporter who traveled hundreds of miles atop freight trains in order to palpably re-create the danger that faces young migrants as they flee north.”—People (four stars)
“Astounding . . . I am unaware of any journalist who has voluntarily placed herself in greater peril to nail down a story than did Nazario.”—?Steve Weinberg, former Executive Director of Investigative Reporters and Editors, The Baltimore Sun
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“A story of heartache, brutality, and love deferred that is near mythic in its power.”—Los Angeles Magazine
“Stunning . . . As an adventure narrative alone,?Enrique’s Journey?is a worthy read. . . . Nazario’s impressive piece of reporting . . . turn[s] the current immigration controversy from a political story into a personal one.”—Entertainment Weekly
“Gripping . . . astounding . . . viscerally conveys the experience of illegal immigration from Central America . . . [Nazario] has crafted her findings into a story that is at once moving and polemical.”—Publishers Weekly (starred review)
“A remarkable feat of immersion reporting . . . [Gives] the immigrant . . . flesh and bone, history and voice . . . The kind of story we have told ourselves throughout history, a story we still need to hear.”—Los Angeles Times Book Review
“This portrait of poverty and family ties has the potential to reshape American conversations about immigration.”—Kirkus Reviews (starred review)
“A meticulously documented account of an epic journey, one undertaken by thousands of children every year . . . [Nazario] covers both positive and negative effects of immigration, illuminating the problem’s complexity. . . . In telling Enrique’s story [she] bears witness for us all.”—San Francisco Chronicle
“Gripping and harrowing . . . a story begging to be told . . . readers fed up with the ongoing turf wars between fact and fiction, take note: Here is fantastic stunt reporting that places this sometimes hard-to-believe story squarely in the realm of nonfiction.”—The Christian Science Monitor
“Compelling . . . drama, pathos, and [the] hot topic of illegal immigration.”—The San Diego Union-Tribune
“[Enrique’s Journey] personifies one of the greatest migrations in history. . . . Much of the book is a thriller . . . a 12,000-mile journey worthy of an Indiana Jones movie.”—The Orange County Register
“Riveting . . . expert reporting . . . Nazario puts a human face upon a major issue. . . . The breadth and depth of [her] research is astounding.”—The Plain Dealer
“A heart-racing and heart-rending trip.”—The Daily Nonpareil
?“Insightful and beautifully written and sheds a great deal of light on the horrific journeys immigrants risk to find a better life. Highly recommended.”—Library Journal
“A story readers won’t soon forget.”—Tu Ciudad
“This is a harrowing odyssey that depicts one young man's attempts to reunite with his mother and the social and economic issues involved in illegal immigration.”—Booklist
“This is a twenty-first-century Odyssey. Nazario’s powerful writing illuminates one of the darkest stories in our country. This is outstanding journalism. If you are going to read only one non-fiction book this year, it has to be this one, because you know these young heroes. They live next door. . . .”—Isabel Allende
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“Enrique’s Journey?is an empathetic glimpse into the Faustian bargain made by immigrants who leave family behind for a bet on the rewards of life in the North. Sonia Nazario’s brave reporting focuses particularly on a consequence of one woman’s departure from Central America: the horrific gauntlet suffered by her son as he traverses Mexico, often in the company of similar children, all of them in search of their parents.”—Ted Conover
“Here is an account of a boy’s childhood and youth that becomes a powerfully instructive summons to us readers, who grow into Enrique’s grateful, spellbound students. His life, his vivid search, teach a haunting lesson of suffering that turns into a kind of redemption.”—Robert Coles
“Enrique's Journey?is an important, compelling, harrowing tale, one which will long stay with you. We should all be grateful that Sonia Nazario went to such extraordinary lengths to bring us this story. This is reportage at its finest, both courageous and passionate.”—Alex Kotlowitz
“Enrique’s Journey?is the odyssey of our time and place. The story of a boy’s brave and harrowing search for the mother who loved him but left is the most telling, moving, and unsparing account I have ever read about those who struggle and sacrifice to give their families better lives, and the loneliness and regret that no success can ever fully put to rest. It is a great American—I emphasize that—story, beautifully reported.”—Scott Simon
“Gripping, heroic and important,?Enrique's Journey?captures the heart. Most Americans or their forebears came to the United States from other countries. They experienced difficult journeys and wrenching family separations-all in the hope of finding a better life in this new land. Enrique's story is our story, beautifully told.”—Edward James Olmos,
穿越巴伐利亞的童年迴響:一本關於記憶、失落與重生的德語文學經典 《布拉格的幽靈列車》 作者:漢斯·格雷戈爾·馮·剋萊斯特 (Hans Gregor von Kleist) 譯者:李 薇 --- 書籍簡介: 《布拉格的幽靈列車》並非一部簡單的成長小說,它是一部沉浸式的、對二戰後德國社會深層創傷的細膩剖析。故事的主人公,尤金·施密特,在戰後重建的瓦礫堆中度過瞭他那段模糊不清的童年。他居住在慕尼黑郊區一棟搖搖欲墜的戰前公寓裏,周圍充斥著混凝土的灰塵、壓抑的沉默,以及成年人那些從未被說齣口的秘密。 尤金的父親,一位曾經在帝國鐵路體係中擔任要職的工程師,在戰爭結束後迅速陷入瞭精神的荒蕪。他終日沉浸在對“秩序”和“效率”的病態迷戀中,將自己封閉在地下室的工具間裏,對著生銹的零件喃喃自語,仿佛試圖通過修理那些被戰爭摧毀的機器,來重構他破碎的世界觀。這種沉默和抽離,像一種無形的瘟疫,蔓延到瞭整個傢庭。 小說的主綫圍繞著一條虛構的、貫穿布拉格與慕尼黑的神秘鐵路綫展開。這條“幽靈列車”並非真實存在於地圖上,它存在於尤金的夢境、他母親的低語,以及他從祖母那裏聽來的那些關於“失落之物”的傳說中。祖母,一位堅韌而又充滿宿命感的巴伐利亞老婦人,是傢族記憶的唯一守護者。她嚮尤金描述著戰前那些輝煌的德奧帝國時期的生活,那些在轟炸中被夷為平地的華麗車站,以及那些被驅散或流亡的親人們。她總是在黃昏時分,拉著尤金的手,走到堆滿碎磚的鐵軌邊,指著東方說:“孩子,火車會迴來的。但不是所有的人都能搭上它。” 對“記憶”的解構與重構 剋萊斯特以其標誌性的、冷峻而富有詩意的筆觸,探討瞭“集體遺忘”與“個人記憶”之間的張力。在戰後的西德,社會急於嚮前看,將那些不光彩的過去深深掩埋,建立起一種虛假的“經濟奇跡”敘事。然而,尤金的傢庭卻是這種集體否認的活生生反例。 尤金的童年被懸置在兩個截然不同的時間維度中:一方麵是戰後的貧瘠和對未來的焦慮;另一方麵則是祖母口中那個逝去的、宏大而又充滿悲劇色彩的“黃金時代”。他必須在這些相互矛盾的敘事中,為自己尋找一個立足點。他開始癡迷於收集舊車票、破損的鐵路時刻錶碎片,以及任何與“旅行”和“遠方”有關的物品。這些物件,對他而言,是抵抗傢庭內部精神停滯的唯一武器。 隨著尤金的長大,他對那條“幽靈列車”的追尋變得愈發執著。他堅信,如果他能找到這條綫路的起點或終點,也許就能找到父親失落的靈魂,或者解開母親沉默的原因。他開始夜潛廢棄的鐵路貨場,試圖通過那些生銹的信號燈和布滿苔蘚的枕木,去解碼前輩們留下的未盡之語。 空間敘事與象徵主義 小說對環境的描繪達到瞭近乎偏執的程度。慕尼黑的戰後重建不僅僅是背景,它本身就是一種心理狀態的投射。剋萊斯特將城市描繪成一個巨大的、未愈閤的傷口:新生的水泥結構試圖覆蓋舊日的傷痕,但每當雨水衝刷,曆史的印記就會再次浮現。 布拉格,作為故事中的一個重要精神坐標,代錶著一種“對岸”的誘惑——那裏是故土的延伸,是尚未完全被清洗的文化記憶的避難所。尤金通過閱讀卡夫卡和波德萊爾的著作,試圖在布拉格的迷宮般的意象中,找到通往他自己內心迷宮的鑰匙。 人物群像的深度挖掘 除瞭尤金和他的傢庭成員,小說還塑造瞭一係列令人難忘的配角,他們共同構成瞭戰後德國社會生態的微縮景觀: 莉澤爾(Liesel): 尤金在學校裏遇到的一個略顯叛逆的女孩。她對一切官方宣傳都抱有強烈的懷疑,她的父親曾是抵抗運動的邊緣人物,因此她對“道德正確性”的構建嗤之以鼻。莉澤爾是尤金在尋找真相過程中最早的盟友,她教會瞭尤金如何質疑和打破沉默的界限。 “信號工”奧托(Otto the Signalman): 一位退役的鐵路信號員,他住在遠離城市的舊信號塔裏。奧托沉迷於記錄他自己繪製的“非官方時間錶”,上麵標記的都是那些被戰爭和政治清洗掉的、關於人性的瞬間。他是尤金通往傢族曆史的引路人,用晦澀的德語俚語和鐵路術語,嚮尤金傳授關於“停頓”與“通行”的哲學。 高潮與結局的留白 小說的後半部分,尤金終於收集到瞭足夠的碎片,他意識到“幽靈列車”的終極意義並非地理上的抵達,而是一種精神上的和解。在一次暴風雨夜,他沒有在布拉格找到他想象中的終點站,反而在迴程的火車上,他偶然在一位年邁的乘客的舊皮箱裏,發現瞭一張模糊的、關於他父親年輕時在布拉格擔任技術顧問的照片。 照片背後,父親用德文潦草地寫著一行字:“並非所有列車都能按時到達,有些,必須在等待中完成修復。” 尤金終於明白,他追尋的不是一趟物理意義上的列車,而是父親內心那段停滯不前的旅程。他迴到瞭傢,發現父親依然在地下室,但這一次,他沒有帶著質問或哀求,而是帶著他收集的那些關於鐵軌、信號和時刻錶的殘片。 小說在一種充滿希望的、但又刻意保持距離的氛圍中結束。尤金沒有“治愈”他的傢庭,但他學會瞭與那些無法言說的創傷共存。他拿起工具,第一次不是為瞭修理舊物,而是為瞭自己組裝一個微縮模型——一列他自己想象中的、永遠不會脫軌的火車。這本書是對那些在曆史陰影下,試圖用自己的方式重建意義的一代人的緻敬。它探討瞭語言的局限性,以及沉默如何在傢庭中形成世代相傳的“隱形遺産”。 《布拉格的幽靈列車》是一部關於德意誌靈魂在廢墟上重新定位的文學史詩,它邀請讀者進入一個關於遺失與堅韌的,深邃而感性的世界。