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　　《中國藝術5000年》一書是一本介紹中國藝術的大型畫冊。全書依曆史先後而劃分為9章，分彆從雕塑、繪畫、書法等多個藝術門類中精選各個曆史時期具有代錶性的作品來呈現中國藝術的饕餮盛宴。

內容簡介

　　《中國藝術5000年》有如下四大特點。一、全書收錄瞭約500幅藏於海內外各大博物館的美術作品，包括泥塑、木雕、捲軸畫、壁畫、書法等，每幅作品均有詳細的文字介紹，內容包含其作者的生平經曆，作品的創作背景、構圖方式、繪製手法、文化內涵以及與之相關的典故等。第二、本書在各節章前均有一個概述性的導言，對各朝代的美術史有一個係統的介紹。同時，在具體的文字賞析中，還穿插瞭許多中國美術史的專業知識，包括各個階段的風格流變、中國美術史中的重要流派及重要概念等。通過本書，普通讀者能夠對中國藝術有一個完整而詳細的瞭解，對這些的文物有一個清晰而深入的認識。第三、本書的文字撰寫者都是有多年研究經曆，具有良好的專業背景的美術史研究人員。雖然本書定位大眾，語言平實，然而卻不乏專業性和文化深度，可讀性較強。第四、本書裝幀精美，圖片大氣，采用精裝配函套的裝訂形式，力圖給讀者以賞心悅目、古意盎然的感覺。

目錄

史前
先秦
秦漢
三國兩晉南北朝
隋唐
五代兩宋
遼金元
明
清
圖文索引
中國曆史年錶

精彩書摘

　　The Mawangdui Han Tombs were thefamily cemetery of Licang(birth yearunknown—185 B.C.),who originally servedas the prime minister of Changsha Stateand was later entitled"Dai Hou."Amongthe many tombs excavated,No.1 Tombwas the largest and the excavated relicswere the most diverse and exquisite。Itwas the tomb of Xinzhui.Licang,s wifewho died in 165B.C.No.2Tomb waswhere Licang himself was buried,andNo.3 was the burial place of his son.The lacquer mug is part of the largecollection of lacquerware excavated fromthe Mangwangdui Han Tombs.Therewere about forty double-handled mugs inthree sizes-large,medium and small.This is a medium-sized one.Made ofwood,it was lacquered red inside andblack outside.The inner surface,edgeand handles are red,and decorated witha lively cloud pattern.In the center ofthe bottom are three Chinese characters,literally translated as"drink to yourheart’s content"：evidently there was aneasy conviviality on social occasions.The double-handled mug also had amore elegant name-"feather mug."Thisname alludes to drinking etiquette of the time.Anyone who proposed a toast firstlyhad to pick his subject,and would theninsert a feather into the mug.If given afeathered mug,the guest had to drainthe contents immediately without excuseor hesitation.As time went on,feathermug became the general name for a two-handled mug.This mug spans more than twomillennia,but the lacquer still looksbright.The combination of red and blackwas eye-catching,but was also is a symbolof wealth and luxury in the Han Dynastyand a clue to the hospitable bibulousnessof the era.
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