村上春樹(1949- ),日本小說傢。曾在早稻田大學文學部戲劇科就讀。1979年,他的第一部小說《聽風之歌》問世後,即被搬上瞭銀幕。隨後,他的優秀作品《1973年的彈子球》、《尋羊冒險記》、《挪威的森林》等相繼發錶。他的創作不受傳統拘束,構思新奇,行文瀟灑自在,而又不流於庸俗淺薄。尤其是在刻畫人的孤獨無奈方麵更有特色,他沒有把這種情緒寫成負的東西,而是通過內心的心智性操作使之升華為一種優雅的格調,一種樂在其中的境界,以此來為讀者,尤其是生活在城市裏的人們提供瞭一種生活模式或生命的體驗。
《村上春樹:海邊的卡夫卡》為英文版:The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen——it's page thirteen in Kafka On The Shore——the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world1s toughest fifteen-year-old." He finds a secluded private library in which to spend his days——continuing his impressive self-education——and is befriended by a transgendered clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.
##讀罷《海邊的卡夫卡》,我忽然想,那個寫《且聽風吟》,寫《挪威的森林》村上究竟哪裏去瞭? 我不知道,為什麼有人會說《挪威的森林》是村上最差的作品。《挪威的森林》於我而言,就像是一首詩。多年之後,我依然記得主人公坐在波音客機降落在漢堡機場,看著窗外熟悉的風...
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