The first definitive monograph of color photographs by American street photographer Vivian Maier.
Photographer Vivian Maier’s allure endures even though many details of her life continue to remain a mystery. Her story—the secretive nanny-photographer who became a pioneer photographer—has only been pieced together from the thousands of images she made and the handful of facts that have surfaced about her life. Vivian Maier: The Color Work is the largest and most highly curated published collection of Maier’s full-color photographs to date.
With a foreword by world-renowned photographer Joel Meyerowitz and text by curator Colin Westerbeck, this definitive volume sheds light on the nature of Maier’s color images, examining them within the context of her black-and-white work as well as the images of street photographers with whom she clearly had kinship, like Eugene Atget and Lee Friedlander. With more than 150 color photographs, most of which have never been published in book form, this collection of images deepens our understanding of Maier, as its immediacy demonstrates how keen she was to record and present her interpretation of the world around her.
##非常驚艷誒
評分##背在身後纏繞的手指,紅帽子衣服,Chicago街頭的行李包和雨水打濕的街道。
評分##攝影集中大部分作品為70年代的,但從攝影集中的幾張照片來看,她對於彩色膠片的使用至少應該始於50年代中期,基本可以很彩色相機麵嚮大眾的時間相吻閤!雖然不少照片有些乏味可陳,但不失為時代的記錄,也可領略薇薇安邁爾的照相技術之穩定!或許她的黑白照片太驚艷瞭,會讓人對她的彩色照片有很高要求,但放在同時代比較,其實還是很驚艷的!
評分##初看平淡,越往後麵越發現,Vivian對她周圍那些觸動她的瞬間的捕捉,非常的敏銳。常常讓我不自覺的笑齣來,有時候又覺得有點憂傷,偶爾還會引發一些思考。這種攝影很直率地錶達作者的內心,看起來輕鬆而有趣。
評分##彩色看起來也不錯,一生拍瞭15萬張照片,總有些精彩的瞬間。如果不能及時記錄,那麼就認真感受吧……
評分##女性攝影師的視角果然還是溫柔一些 最喜歡一張帽子的攝影 還有 一個鐵路天空的
評分##攝影集中大部分作品為70年代的,但從攝影集中的幾張照片來看,她對於彩色膠片的使用至少應該始於50年代中期,基本可以很彩色相機麵嚮大眾的時間相吻閤!雖然不少照片有些乏味可陳,但不失為時代的記錄,也可領略薇薇安邁爾的照相技術之穩定!或許她的黑白照片太驚艷瞭,會讓人對她的彩色照片有很高要求,但放在同時代比較,其實還是很驚艷的!
評分##誰都會生産垃圾,垃圾該去垃圾桶而非飯桌。不能因是薇薇安,就把殘片也聚起來齣個集子。
評分##不比國內引進的兩本遜色,反倒更有驚喜,那兩本太規整瞭,這裏可以看到她在街頭的觀察力。
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