Among the most radical and original photographers of his generation, Masahisa Fukase was famous for The Solitude of Ravens (1991), in which these birds of doom, in flocks or alone, blacken the pages of the book in inky, somber, calligraphic clusters; in 2010 it was voted the best photobook of the past 25 years by the British Journal of Photography. Fukase also has a lesser-known corpus of collages, self-portraits, photographs reworked as sketches, black-and-white prints, Polaroids and more. This book brings together all of his work for the very first time.
Its editors, Simon Baker, director of the Maison européenne de la photographie, Paris, and Tomo Kosuga, director of the Masahisa Fukase Archives, Tokyo, have assembled 26 series from Fukase's oeuvre, including Memories of Father; The Solitude of Ravens; his portraits of cats; his famous self-portraits taken in a bathtub with a waterproof camera; and many previously unpublished works. Fukase tried his hand at everything, and this essential volume, at more than 400 pages, at last reveals the full breadth of his imagination in an English-language publication.
##简直了,心极热,眼极冷!看会哭
评分##和妻子跃起来的合照我以后也要拍!!! 鸦和猫 (日文版全集 赚到
评分##《鸦》的部分确实很大师,一进入彩色就很实验。家庭合影简直是行为艺术了,既延续了家族照相馆的传统,又在传统中加入一个裸体就全部颠覆了它。另外,拍猫绝对不输荒木啊。
评分##喜欢深濑昌久的一定要去看,去收这本书。日语不好,我用翻译软件看了每一段文字。我才知道《鸦》是怎么来的,为什么《鸦》中会有那些与鸦无关的画面,都是因为鸦只是一段深濑的逃避之旅,而不是什么瞎鸡儿蒙太奇编辑手法(别再被国内的有些人骗了)。很全面的一本书,把深濑的所有经历作品串联起来,讲得很全面,包括他的感情生活。
评分##喜欢。
评分##很棒。看完最直观的感受:如果说看之前觉得《鸦》很棒,看完后觉得更棒更让人着迷和期待完整阅读的却是和死亡有关的家庭相册项目(Aperture今年就出版了,贼贵也要买啊!)。另外猫的几个系列看着让人心碎,极生动的背面仍是死亡,和家庭相册项目一样是带给我对摄影这个媒介的死亡质感最直观和直接冲击的作品。Youtube上存着看过很多遍高清的翻书视频,可惜很难买到实体书了,有也买不起了……
评分##上次他的展览没去看成。真是遗憾
评分##前几天还和人在争辩到底是深濑昌久的猫拍的好还是荒木经惟,双方各执一词(我当然是站荒木),但不得不说深濑的猫拍的真的很棒...啊服气是真的服气。以及看到后面ペロペロ那个系列真是让人窒息,秉承不能一个人瞎的想法我当即转发给了各种朋友。
评分##大合集,有几个主题特别喜欢,也有一些当时前卫的现在看来一般
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