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内容简介

A story of a Jewish survivor of Hitler's Europe and his son, a cartoonist who tries to come to terms with his father's story and history itself.

作者简介

The Pulitzer prize winning author of "Maus" and "Maus II", Art Spiegelman was born in Stockholm, Sweden, and grew up in Rego Park, New York. He is also the co-founder/editor of RAW, the acclaimed magazine of avant-garde comix and graphics and the illustrator of the lost classic "The Wild Party" by Joseph Moncure March. Spiegelman's work has been published in more than sixteen languages and has appeared in "The New York Times, Village Voice, " and "Playboy", among others. He has been a contributing editor and cover artist for "The New Yorker" since 1992.

Spiegelman attended the High School of Art and Design in New York City and SUNY Binghamton and received an honorary doctorate of letters from SUNY Binghamton in 1995. He began working for the Topps Gum Company in 1966, as association that lasted over twenty years. There he created novelty cards, stickers and candy products, including Garbage Candy, Wacky Packages and Garbage Pail Kids. He began producing underground comix in 1966, and in 1971 moved to San Francisco, where he lived until 1975.

His work began appearing in such publications as "East Village Other, Bijou" and "Young Lust Comix". In 1975-76, he, along with Bill Griffith, founded "Arcade, The Comic Revue". His book, "Breakdowns", an anthology of his comics, was published in 1977.

Spiegelman moved back to New York City in 1975, and began doing drawing and comix for "The New York Times, Village Voice" and others. He became an instructor at The School of Visiual Arts from 1979-1987. In 1980, Spiegelman and his wife, Francoise Mouly, started the magazine RAW, which has over the years changed the public's perception of comics as an art form. It was in RAW that "Maus" was first serialized. In 1986, Pantheon Books published the first half of "Maus" and followed with "Maus II" in 1991. In 1994 he designed and illustrated the lost Prohibition Era classic by Joseph Moncure March, "The Wild Party". In 1997, Spiegelman's first book for children, "Open Me ... I'm a Dog" was published by HarperCollins.

Art Spiegelman has received The National Book Critics Circle nomination in both 1986 and 1991, the Guggenheim fellowship in 1990, and a special Pulitzer Prize in 1992. His art has been shown in museums and gallery shows in the United States and abroad, including a 1991 show at the Museum of Modern Art in New York City.

He and his wife, Francoise Mouly, live in lower Manhattan with their two children, Nadja and Dashiell.

精彩书评

"Maus is a book that cannot be put down， truly， even to sleep. When two of the mice speak of love， you are moved， when they suffer， you weep. Slowly through this little tale comprised of suffering， humor and life's daily trials， you are captivated by the language of an old Eastern European family， and drawn into the gentle and mesmerizing rhythm， and when you finish Maus， you are unhappy to have left that magical world."--Umberto Eco
Maus I: A Survivor's Tale [平装] 电子书 下载 mobi epub pdf txt

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　　另一桌，即是那个白胡子老头等四人的一桌。

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好

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动之中。君无忌虽是碍于功力的不便施展，自不能得此“七雀步”法微妙发挥，只是步法的本身，却已包涵了灵智的极境。话可要说回来了，设非是“摇光殿”出身，如眼前姑娘这般高明人物，一般人万万难以悟彻。

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　　正中座头上那个白胡子老头呵呵笑道：“二黑子，你就行行好，这位贵客嚷着要酒，店伙计又不在，你就劳驾一趟吧，反正柜上多的是，是不是？”

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①多向互动，形式多样.互动的课堂，一定的活动的课堂，生活的课堂。互动的条件：平等、自由、宽松、和谐。互动的类型师生互动、生生互动、小组互动、文本互动、习题互动、评价互动。互动的形式：问

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　　正中座头上那个白胡子老头呵呵笑道：“二黑子，你就行行好，这位贵客嚷着要酒，店伙计又不在，你就劳驾一趟吧，反正柜上多的是，是不是？”

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　　然而，对于向阳君这个单独的客人来说，像是什么也不曾觉察。他只是注意着手上的那一壶酒，不时地仰起脖子来，把满满的一杯酒注入喉咙里，对于手握刀柄怒视着他的一个人也不瞧上一眼。

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　　不要说是小二了，就连坐在柜上收钱的那个胖管事也没影了。

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