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☆☆☆☆☆

Art Spiegelman（阿特·斯皮格曼） 著

齣版社： Knopf Group

ISBN：9780394747231

商品編碼：19041643

包裝：平裝

叢書名： Maus

齣版時間：1986-08-12

用紙：膠版紙

頁數：160

正文語種：英文

商品尺寸：16.51x1.27x23.37cm;0.5kg

內容簡介

A story of a Jewish survivor of Hitler's Europe and his son, a cartoonist who tries to come to terms with his father's story and history itself.

作者簡介

The Pulitzer prize winning author of "Maus" and "Maus II", Art Spiegelman was born in Stockholm, Sweden, and grew up in Rego Park, New York. He is also the co-founder/editor of RAW, the acclaimed magazine of avant-garde comix and graphics and the illustrator of the lost classic "The Wild Party" by Joseph Moncure March. Spiegelman's work has been published in more than sixteen languages and has appeared in "The New York Times, Village Voice, " and "Playboy", among others. He has been a contributing editor and cover artist for "The New Yorker" since 1992.

Spiegelman attended the High School of Art and Design in New York City and SUNY Binghamton and received an honorary doctorate of letters from SUNY Binghamton in 1995. He began working for the Topps Gum Company in 1966, as association that lasted over twenty years. There he created novelty cards, stickers and candy products, including Garbage Candy, Wacky Packages and Garbage Pail Kids. He began producing underground comix in 1966, and in 1971 moved to San Francisco, where he lived until 1975.

His work began appearing in such publications as "East Village Other, Bijou" and "Young Lust Comix". In 1975-76, he, along with Bill Griffith, founded "Arcade, The Comic Revue". His book, "Breakdowns", an anthology of his comics, was published in 1977.

Spiegelman moved back to New York City in 1975, and began doing drawing and comix for "The New York Times, Village Voice" and others. He became an instructor at The School of Visiual Arts from 1979-1987. In 1980, Spiegelman and his wife, Francoise Mouly, started the magazine RAW, which has over the years changed the public's perception of comics as an art form. It was in RAW that "Maus" was first serialized. In 1986, Pantheon Books published the first half of "Maus" and followed with "Maus II" in 1991. In 1994 he designed and illustrated the lost Prohibition Era classic by Joseph Moncure March, "The Wild Party". In 1997, Spiegelman's first book for children, "Open Me ... I'm a Dog" was published by HarperCollins.

Art Spiegelman has received The National Book Critics Circle nomination in both 1986 and 1991, the Guggenheim fellowship in 1990, and a special Pulitzer Prize in 1992. His art has been shown in museums and gallery shows in the United States and abroad, including a 1991 show at the Museum of Modern Art in New York City.

He and his wife, Francoise Mouly, live in lower Manhattan with their two children, Nadja and Dashiell.

精彩書評

"Maus is a book that cannot be put down， truly， even to sleep. When two of the mice speak of love， you are moved， when they suffer， you weep. Slowly through this little tale comprised of suffering， humor and life's daily trials， you are captivated by the language of an old Eastern European family， and drawn into the gentle and mesmerizing rhythm， and when you finish Maus， you are unhappy to have left that magical world."--Umberto Eco

評分☆☆☆☆☆

A few notes must be made in response to the 10/26/97 comment posted below by a reviewer from Ontario, Canada. It is quite clear that this reviewer did not, in fact, read the book. (S)he mistakenly attacks Spiegelman for portraying the Poles as rats, and wonders if he would be offended if a book were written portraying Jews as rats. Anyone who took the time to read Maus (or merely to examine it's cover!) would know that it is, in fact, the Jewish people who are portrayed as mice/rats, whereas the Poles are portrayed not as vermin, but rather as pigs.

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⑤教學生抓重點.教學難免有意外，課堂難免有突變，應對教學意外、課堂突變的本領，就是我們通常說的駕馭課堂、駕馭學生的能力。對教師來說，讓意外乾擾教學、影響教學是無能，把意外變成生成，促進教學、改進教學是藝術。生成相對於教學預設而言，分有意生成、無意生成兩種類型；問題生成、疑問生成、答案生成、靈感生成、思維生成、模式生成六種形式。生成的重點在問題生成、靈感生成。教學機智顯亮點.隨機應變的纔智與機敏，最能贏得學生欽佩和行贊嘆的亮點。教學機智的類型分為教師教的機智、學生學的機智，師生互動的機智，學生探究的機智。機智常常錶現在應對質疑的解答，麵對難題的措施，發現問題的敏銳，解決問題的靈活。

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　　一個是齣示身份的四旬瘦漢——似乎是官府一個頗有身份的人物，這一點隻由他方纔對胖管事的錶示即可認定。

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In fact, far from a "vicious" attack against Poles, there are many acts of kindness by Polish people portrayed in the book. Certainly there is unkindness as well, but how can the reviewer forget that this is a factual account of Vladek Spiegelman's life, told from his perspective. If unkind acts by Polish people are a part of that life, then they should be in the book.

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This is a powerful work. The tale of a young man's painful relationship with his father is elegantly interwoven with the father's recollection of life as a Jew in Nazi-occupied Poland. Spiegelman's skill and honesty make this a raw, gut-wrenching read, though the tale is somehow ultimately uplifting.

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動之中。君無忌雖是礙於功力的不便施展，自不能得此“七雀步”法微妙發揮，隻是步法的本身，卻已包涵瞭靈智的極境。話可要說迴來瞭，設非是“搖光殿”齣身，如眼前姑娘這般高明人物，一般人萬萬難以悟徹。

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　　然而，對於嚮陽君這個單獨的客人來說，像是什麼也不曾覺察。他隻是注意著手上的那一壺酒，不時地仰起脖子來，把滿滿的一杯酒注入喉嚨裏，對於手握刀柄怒視著他的一個人也不瞧上一眼。