"Using as his starting point Michael L. Fleischer's 1976 reference, The Encyclopedia of Comic Book Heroes: Batman(Macmillan, Vol. 1), Greenberger (coauthor, The DC Comics Encyclopedia) here brings this fundamental guide into the 21st century, documenting characters both recently developed and still evolving. Organized alphabetically by character or site name, the entries run several paragraphs in length. Greenberger omits characters having only casual interaction with Batman; narrative intersections must occur at least twice to warrant a character's inclusion. The book is graphically rich; its stunning illustrations are by nearly 200 artists who have worked on Batman comics over the decades. Recommended for all graphic novel and pop-culture collections."
--Savannah Schroll Guz,Library Journal
"Over the last 69 years, Batman has experienced countless incarnations. For years, he seemed ageless and unchanging, but recently editors and writers have found many creative ways to explore the superhero's mythos. Expanding upon Michael Fleisher's The Encyclopedia of Comic Book Heroes: Batman (DC Comics, 2007), this volume attempts to clarify how Batman fits into these story arcs, and to catalog nearly every villain and close ally he encountered between 1939 and September 2007. Entries are limited to characters and information within the Batman universe. This focus on characters and internal plot may be fascinating to fans, but will limit the book's usefulness as a research tool. Fewer than one-third of the entries are accompanied by black-and-white illustrations. Two sets of color plates add much to the flavor of the work, though they impart little information. Overall, the book is extremely thorough within its scope and is well researched."
--Dawn Rutherford, King County Library System, Bellevue, WA,School Library Journal
更喜欢精装的 但是这个是平装的 而且送货员还给我磕坏了个书角
评分米勒违背了之前所有漫画中的教条。没有阴谋诡计,没有衣着鲜亮的坏蛋,也没有华而不实的“死亡陷阱”和小道具。犯罪的理由很简单:金钱、权力、或是单纯的变态。这里没有帅哥美女,没有正义英雄,没有华丽的战斗,只有一个无情的现实世界,和一个试图挑战体制的人。
评分挺厚一本,补漫画和查资料都好用。
评分不知道京东在搞什么,包装就不能好一点吗?既然包装不鞥做到像其他网站那么好,那么就请你的物流做到万无一失!!!
评分书中不可避免的带着冷战的烙印。一触即发的紧张感弥漫在全书中。显然,当时米勒已经在反省大众媒体的影响,广泛采用“电视播报”这一形式,不仅为主题推波助澜,也传达各方的观感:既不同于“超人归来”的万众欢呼,也不同于X战警们受到的歧视和排挤,一个地下的执法者引来的是怀疑与争议。公众在电视上辩论不休,对他的行为有褒有贬。这种手法后来被许多人模仿。而布鲁斯父母被枪杀时珍珠掉落的那一组慢镜头,也被无数画家一而再、再而三的重复。
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书籍印刷很好 原版正品
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而这正是DKR最大的副作用。很多人对米勒的作品存在着误读,仅仅被他笔下那个黑暗的世界所震撼,却忘了他在黑暗中,同时还埋藏了一丝希望,以及对希望的追求。于是他们开始模仿所谓的“黑暗”路线,却只学得些皮毛。不是要孤僻么?便让人物命犯天煞孤星,众叛亲离;不是要冷酷么?便抹去他所有的人性,让他彻底的“爱无能”;至于黑暗——还没有人能模仿米勒的黑暗,连皮毛也不能。
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