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編輯推薦

　　英語國傢學生曾經使用的經典閱讀教材，國內學生提升英語閱讀水平的優秀素材！全書配套英文朗讀MP3文件免費下載，在幫助讀者學習英美文學史的同時，更好地訓練英語閱讀水平，帶領讀者步入優美的英語文學世界，在英語閱讀中感受西方文化的魅力！

內容簡介

　　這本全英文版《美國學生文學簡史》，由耶魯大學英語文學教授Henry Beers為英美學生編寫，是一部英美文學簡史教程，分為上下兩部分，包括英國文學史和美國文學史，共17篇章。對於準備齣國留學或英語專業學習者來講，英美文學史是一門必須瞭解和學習的課程。
　　全書配套英文朗讀MP3文件免費下載，在幫助讀者學習英美文學史的同時，更好地訓練英語閱讀水平，帶領讀者步入優美的英語文學世界。這本英文原版讀本，不僅能讓國內學生依托教材，全麵係統地訓練英語，同時，通過書中的故事與文學作品，感受英美曆史文化，培養良好的閱讀興趣與品味。本書也適閤成人英語學習者提高英語閱讀水平使用，讓眾多國內讀者在瞭解西方文學的同時，感受英語語言的魅力。

　　In so brief a history of so rich a literature, the problem is how to get room enough to give, not an adequate impression-that is impossiblebut any impression at all of the subject. To do this I have crowded out everything but belles-lettres. Books in philosophy, history, science, etc., however important in the history of English thought, receive the merest incidental mention, or even no mention at all. Again, I have omitted the literature of the Anglo-Saxon period, which is written in a language nearly as hard for a modern Englishman to read as German is, or Dutch. Caedmon and Cynewulf are no more a part of English literature than Vergil and Horace are of Italian. I have also left out the vernacular literature of the Scotch before the time of Burns. Up to the
　　date of the union Scotland was a separate kingdom, and its literature had a development independent of the English, though parallel with it.
　　In dividing the history into periods, I have followed, with some modifications, the divisions made by Mr. Stopford Brooke in his excellent little Primer of English Literature. A short reading course is appended to each chapter.

目錄

PART I Outline Sketch of English Literature
CHAPTER 1
FROM THE CONQUEST TO CHAUCER
CHAPTER 2
FROM CHAUCER TO SPENSER
CHAPTER 3
THE AGE OF SHAKSPERE
CHAPTER 4
THE AGE OF MILTON
CHAPTER 5
FROM THE RESTORATION TO
THE DEATH OF POPE
CHAPTER 6
FROM THE DEATH
OF POPE TO THE FRENCH REVOLUTION
CHAPTER 7
FROM THE FRENCH REVOLUTION TO
THE DEATH OF SCOTT
CHAPTER 8
FROM THE DEATH
OF SCOTT TO THE PRESENT TIME
CHAPTER 9
THEOLOGICAL AND RELIGIOUS
LITERATURE IN GREAT BRITAIN
PART II Outline Sketch of American Literature
CHAPTER 10
THE COLONIAL PERIOD
CHAPTER 11
THE REVOLUTIONARY PERIOD
CHAPTER 12
THE ERA OF NATIONAL EXPANSION
CHAPTER 13
THE CONCORD WRITERS
CHAPTER 14
THE CAMBRIDGE SCHOLARS
CHAPTER 15
LITERATURE IN THE CITIES
CHAPTER 16
LITERATURE SINCE 1861
CHAPTER 17
THEOLOGICAL AND
RELIGIOUS LITERATURE IN AMERICA

精彩書摘

　　CHAPTER 1
　　FROM THE CONQUEST TO CHAUCER
　　1066～1400.
　　The Norman conquest of England, in the 11th century, made a break in the natural growth of the English language and literature. The old English or Anglo-Saxon had been a purely Germanic speech, with a complicated grammar and a full set of inflections. For three hundred years following the battle of Hastings this native tongue was driven from the king's court and the courts of law, from parliament, school, and university. During all this time there were two languages spoken in England. Norman French was the birth-tongue of the upper classes and English of the lower. When the latter finally got the better in the struggle, and became, about the middle of the 14th century, the national speech of all England, it was no longer the English of King Alfred. It was a new language, a grammarless tongue, almost wholly stripped of its inflections. It had lost a half of its old words, and had filled their places with French equivalents. The Norman lawyers had introduced legal terms; the ladies and courtiers, words of dress and courtesy. The knight had imported the vocabulary of war and of the chase. The master-builders of the Norman castles and cathedrals contributed technical expressions proper to the architect and the mason. The art of cooking was French. The naming of the living animals, ox, swine, sheep, deer, was left to the Saxon churl who had the herding of them, while the dressed meats, beef, pork, mutton, venison, received their baptism from the tabletalk of his Norman master. The four orders of begging friars, and especially the Franciscans or Gray Friars, introduced into England in 1224, became intermediaries between the high and the low. They went about preaching to the poor, and in their sermons they intermingled French with English. In their hands, too, was almost all the science of the day; their medicine, botany, and astronomy displaced the old nomenclature of leechdom, wort-cunning, and star-craft. And, finally, the translators of French poems often found it easier to transfer a foreign word bodily than to seek out a native synonym, particularly when the former supplied them with a rhyme. But the innovation reached even to the commonest words in every-day use, so that voice drove out steven, poor drove out earm, and color, use, and place made good their footing beside hue, wont, and stead. A great part of the English words that were left were so changed in spelling and pronunciation as to be practically new. Chaucer stands, in date, midway between King Alfred and Alfred Tennyson, but his English differs vastly more from the former's than from the latter's. To Chaucer Anglo- Saxon was as much a dead language as it is to us.
　　The classical Anglo-Saxon, moreover, had been the Wessex dialect, spoken and written at Alfred's capital, Winchester. When the French had displaced this as the language of culture, there was no longer a "king's English" or any literary standard. The sources of modern standard English are to be found in the East Midland, spoken in Lincoln, Norfolk, Suffolk, Cambridge, and neighboring shires. Here the old Anglian had been corrupted by the Danish settlers, and rapidly threw off its inflections when it became a spoken and no longer a written language, after the Conquest. The West Saxon, clinging more tenaciously to ancient forms, sunk into the position of a local dialect; while the East Midland, spreading to London, Oxford, and Cambridge, became the literary English in which Chaucer wrote.
　　The Normans brought in also new intellectual influences and new forms of literature. They were a cosmopolitan people, and they connected England with the continent. Lanfranc and Anselm, the first two Norman archbishops of Canterbury, were learned and splendid prelates of a type quite unknown to the Anglo-Saxons. They introduced the scholastic philosophy taught at the University of Paris, and the reformed discipline of the Norman abbeys. They bound the English Church more closely to Rome, and officered it with Normans. English bishops were deprived of their sees for illiteracy, and French
　　abbots were set over monasteries of Saxon monks. Down to the middle of the 14th century the learned literature of England was mostly in Latin, and the polite literature in French. English did not at any time altogether cease to be a written language, but the extant remains of the period from 1066 to 1200 are few and, with one exception, unimportant. After 1200 English came more and more into written use, but mainly in translations, paraphrases, and imitations of French works. The native genius was at school, and followed awkwardly the copy set by its master.
　　The Anglo-Saxon poetry, for example, had been rhythmical and alliterative. It was commonly written in lines containing four rhythmical accents and with three of the accented syllables alliterating.
　　R_este hine th?r_úm-heort; r_éced hlifade
　　G_eáp and g_óld-f?h, g?st inne sw?f.
　　Rested him then the great-hearted; the hall towered
　　Roomy and gold-bright, the guest slept within.
　　This rude energetic verse the Saxon sc?p had sung to his harp or glee-beam, dwelling on the emphatic syllables, passing swiftly over the others which were of undetermined number and position in the line. It was now displaced by the smooth metrical verse with rhymed endings, which the French introduced and which our modern poets use, a verse fitted to be recited rather than sung. The old English alliterative verse continued, indeed, in occasional use to the 16th century. But it was linked to a forgotten literature and an obsolete dialect, and was doomed to give way. Chaucer lent his great authority to the more modern verse system, and his own literary models and inspirers were all foreign, French or Italian. Literature in England began to be once more English and truly national in the hands of Chaucer and his contemporaries, but it was the literature of a nation cut off from its own past by three centuries of foreign rule.
　　The most noteworthy English document of the 11th and 12th centuries was the continuation of the Anglo-Saxon chronicle. Copies of these annals, differing somewhat among themselves, had been kept at the monasteries in Winchester, Abingdon, Worcester, and els 美國學生文學簡史（英文原版） 下載 mobi epub pdf txt 電子書

評分☆☆☆☆☆

適閤孩子學習，也適閤中英文的雙語學習。

評分☆☆☆☆☆

很喜歡也很滿意，孩子喜歡

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還不錯！?

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好

評分☆☆☆☆☆

一本好書．就是一輪太陽 　　世界上的經典作品，都是沉甸甸的，它們是經過歲月磨礪而沉澱下來的作品，是經過時間檢驗而存留下來的作品。大浪淘沙，江水滔滔，留下來的就是閃閃發光的金子。當我們麵對這個世界的書山書海，當我們走進眼花繚亂而又令人喘不過氣來的書店的時候，我們會有一點迷茫，會有一點憂傷。我們也許會有一點點驚訝：這個世界的書真是太多太多瞭。但當我們冷靜下來的時候，另一個聲音會告訴我們：這個世界的好書的確是太少太少瞭。 　　任何一個沒有閱讀經驗的人，都不會懂得多與少的辯證關係。任何一個沒有鑒賞能力的人，都不會懂得該如何去選擇最好的書。但一個基本的常識會幫助我們按圖索驥，去尋找到我們所需要的和最好的書籍。那就是去閱讀經典。這是最可靠的最實用的閱讀經驗。而經驗，則是一代一代人智慧和心血的結晶。這些質地高貴的經典，傳承的就是我們人類寶貴的經驗。人與不讀書人就是不一樣，這從氣質上便可看齣。讀書人的氣質是讀書人的氣質，這氣質是由連綿不斷的閱讀潛移默化成就的。有些人，就造物主創造瞭他們這些毛坯而言，是毫無魅力的，甚至是醜的，然而，讀書生涯居然使他們獲得瞭新生。依然還是從前的身材與麵孔，卻有瞭一種比身材、麵孔貴重得多的叫“氣質”的東西。讀書不僅可以培養人良好的氣質，而且也能讓人長精神。一個人活在這個世界上，靠的就是精、氣、神的支撐。而那些好節就是源源不斷提供精、氣、神營養的所在。 　　讀書是我們生命中不可或缺的令人心曠神怡的部分。我們在書的世界中流連，在節的世界中陶醉，在書的世界中靜聽自己生長的拔節聲。節還給瞭我們撫慰，給瞭我們安寜。我們在與節的對話中釋放瞭學習壓力，生活壓力所帶來的憂鬱與苦悶。節成瞭我們的良師益友，成瞭可以與之竊竊私語的知音。在閱讀中，我們獲得瞭更多關於這個世界的精義、神髓與真諦。 　　一本好書，就是一輪太陽。一韆本好節，就是一韆輪太陽。燦爛乾陽，會照亮我們前進的方嚮，也會讓這個世界所有的秘密在我們麵前一覽無餘地展開。一本好書．就是一輪太陽 　　世界上的經典作品，都是沉甸甸的，它們是經過歲月磨礪而沉澱下來的作品，是經過時間檢驗而存留下來的作品。大浪淘沙，江水滔滔，留下來的就是閃閃發光的金子。當我們麵對這個世界的書山書海，當我們走進眼花繚亂而又令人喘不過氣來的書店的時候，我們會有一點迷茫，會有一點憂傷。我們也許會有一點點驚訝：這個世界的書真是太多太多瞭。但當我們冷靜下來的時候，另一個聲音會告訴我們：這個世界的好書的確是太少太少瞭。 　　任何一個沒有閱讀經驗的人，都不會懂得多與少的辯證關係。任何一個沒有鑒賞能力的人，都不會懂得該如何去選擇最好的書。但一個基本的常識會幫助我們按圖索驥，去尋找到我們所需要的和最好的書籍。那就是去閱讀經典。這是最可靠的最實用的閱讀經驗。而經驗，則是一代一代人智慧和心血的結晶。這些質地高貴的經典，傳承的就是我們人類寶貴的經驗。人與不讀書人就是不一樣，這從氣質上便可看齣。讀書人的氣質是讀書人的氣質，這氣質是由連綿不斷的閱讀潛移默化成就的。有些人，就造物主創造瞭他們這些毛坯而言，是毫無魅力的，甚至是醜的，然而，讀書生涯居然使他們獲得瞭新生。依然還是從前的身材與麵孔，卻有瞭一種比身材、麵孔貴重得多的叫“氣質”的東西。讀書不僅可以培養人良好的氣質，而且也能讓人長精神。一個人活在這個世界上，靠的就是精、氣、神的支撐。而那些好節就是源源不斷提供精、氣、神營養的所在。 　　讀書是我們生命中不可或缺的令人心曠神怡的部分。我們在書的世界中流連，在節的世界中陶醉，在書的世界中靜聽自己生長的拔節聲。節還給瞭我們撫慰，給瞭我們安寜。我們在與節的對話中釋放瞭學習壓力，生活壓力所帶來的憂鬱與苦悶。節成瞭我們的良師益友，成瞭可以與之竊竊私語的知音。在閱讀中，我們獲得瞭更多關於這個世界的精義、神髓與真諦。 　　一本好書，就是一輪太陽。一韆本好節，就是一韆輪太陽。燦爛乾陽，會照亮我們前進的方嚮，也會讓這個世界所有的秘密在我們麵前一覽無餘地展開。

評分☆☆☆☆☆

公版書沒有任何加工，起瞭一個誤導人的書名，不值得買。

評分☆☆☆☆☆

評分☆☆☆☆☆

非常好，我喜歡

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