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Wong Kar Wai
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Rizzoli 2016-4-19 Hardcover 9780847846177

具體描述

John Powers is a writer and film critic. Powers covers film and politics for Vogue and Vogue.com and is the pop-culture critic and critic-at-large on NPR's Fresh Air with Terry Gross. His work has appeared in numerous publications, including Harper's, The Nation, Gourmet, The Washington Post, the New York Times, and L.A. Weekly, where he spent twelve years as a critic and columnist.

The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.

The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.

The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.

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##終於讀完瞭~當年飯桌上LOOK推薦,九蒼說買來看看,我腆著臉說給我帶本,然後17年SIFF他給我背迴來瞭,在傢裏躺瞭兩年半,總算讀完~非常硬核的創作談,WKW聊創作一點沒有拍電影的百轉韆迴...墨鏡王是文藝青年的産品經理,文藝青年並不清楚他們的需求在哪裏,墨鏡王卻天生能捕捉到那種“虛渺”的訴求。颱詞、人物、電影化場景都是錶象,情節更是可以在剪輯颱上靠著旁白來倒著編;從《阿飛正傳》起就是拿電影當“詩與遠方”去拍,將傳承、被拒絕/被接受、遺忘這些虛緲的主題(也是所謂“文藝”的主題)以虛緲的方式展開、揭示;就算是政治的內核,也可以被鎖在一個同性的故事中...有的人拍攝情節故事,有的人打磨人物性格,有的人卻著意營造讓人懷念、稍縱即逝的氛圍...

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##墨鏡受媽媽和老婆的影響真的很深啊 每次談起Esther都是這麼自豪 他說他每部電影裏的女人都有她的影子 非常虐狗瞭 還有和William&Chris的神仙搭檔(也許隻有他們能受得瞭彼此 他擁有世界上所有的幸運 but he deserves it

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##229

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##王傢衛,著名電影導演,擅長浪漫藝術電影,曾奪得7次香港電影金像奬和3次歐洲電影奬。 王傢衛的這一本書,用250多張照片和電影劇照,帶你一同迴味他的經典電影。 書中收錄鮑爾斯和王傢衛展開的六次對話,探討電影、時間、懷舊和美感等主題。每一次都在不同的地點,包括他拍攝《...  

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##你是誰? 不是名字、身份、地位 , 能夠講清楚的,不多 , 這世間,大多數靈魂,都沒有歸所。 早些年,身邊人都有偶像,覺得奇怪,曾跟風嘗試過,卻找不到一個理由說喜歡。 所以,少年記憶裏沒有留下什麼印象深刻的藝人,這些年,經曆瞭些事,遇見瞭些人, 讀瞭些故事,也問瞭...  

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##驚世曠世之作也許需要遭逢大難,曆盡苦海波瀾,食盡人間苦味,在絕望中迴首絕望,可健康幸福美滿的人生與創造一流的藝術品並不必然違逆。用並沒有熟練到可以如楊德昌一般用來思維的英語接受采訪也算是典型的墨鏡風格,朦朧模糊的語言類似於他酷愛的停格加印技巧。從訪談錄的層麵評估,隻讀這一本,足夠。

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##隔瞭一年多終於翻完瞭。由於我對WKW的印象仍然停留在他拖延以及不靠譜上所以當我看到他自己對春光乍泄電影寓意的時候竟然覺得很扯… 還有Fallen Angels竟然是因為李嘉欣演技不好所以用那樣的拍攝手法笑到我瞭 收藏收藏!

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