村上春樹(1949- ),日本小說傢。曾在早稻田大學文學部戲劇科就讀。1979年,他的第一部小說《聽風之歌》問世後,即被搬上瞭銀幕。隨後,他的優秀作品《1973年的彈子球》、《尋羊冒險記》、《挪威的森林》等相繼發錶。他的創作不受傳統拘束,構思新奇,行文瀟灑自在,而又不流於庸俗淺薄。尤其是在刻畫人的孤獨無奈方麵更有特色,他沒有把這種情緒寫成負的東西,而是通過內心的心智性操作使之升華為一種優雅的格調,一種樂在其中的境界,以此來為讀者,尤其是生活在城市裏的人們提供瞭一種生活模式或生命的體驗。
Haruki Murakami, the internationally bestselling author of Norwegian Wood and The Wind-Up Bird Chronicle , plunges us into an urbane Japan of jazz bars, coffee shops, Jack Kerouac, and the Beatles to tell this story of a tangled triangle of uniquely unrequited loves.
A college student, identified only as “K,” falls in love with his classmate, Sumire. But devotion to an untidy writerly life precludes her from any personal commitments–until she meets Miu, an older and much more sophisticated businesswoman. When Sumire disappears from an island off the coast of Greece, “K” is solicited to join the search party and finds himself drawn back into her world and beset by ominous, haunting visions. A love story combined with a detective story, Sputnik Sweetheart ultimately lingers in the mind as a profound meditation on human longing.
Haruki Murakami, the internationally bestselling author of Norwegian Wood and The Wind-Up Bird Chronicle , plunges us into an urbane Japan of jazz bars, coffee shops, Jack Kerouac, and the Beatles to tell this story of a tangled triangle of uniquely unrequited loves.
A college student, identified only as ?K,? falls in love with his classmate, Sumire. But devotion to an untidy writerly life precludes her from any personal commitments?until she meets Miu, an older and much more sophisticated businesswoman. When Sumire disappears from an island off the coast of Greece, ?K? is solicited to join the search party and finds himself drawn back into her world and beset by ominous, haunting visions. A love story combined with a detective story, Sputnik Sweetheart ultimately lingers in the mind as a profound meditation on human longing.
##Sumire實在是個太讓人印象深刻的女子瞭,看過這麼多村上的書,這位對我來說應該是性格最豐滿最讓人喜歡的女性角色瞭。雖然相貌平平但勝在古靈精怪的個性,像個磁場似地讓人自動貼上來。她的很多對話簡直都說到我心坎裏去瞭,共鳴性越強吸引力自然越高。她愛得風風火火,走也走得瀟灑決絕。她比Miu更神秘,她纔是真正謎一般的人物。本書結尾嘎然而止讓人迴味無窮,留給讀者很多想象空間呢~
評分##.. 村上春樹和昆德拉小說有一股非現實味兒,昆德拉認為小說應當挖掘生活之外的可能性,村上春樹的幾部作品則以現實和非現實兩條綫展開小說架構,在結尾將雙綫交閤。這種非現實味兒著實誘人,攤開書,潛入小說傢構造的廣袤世界,一切現實中不可能的事在這裏展現。 ...
評分 評分##2018.12.17-12.23.為什麼村上春樹每次都隻能寫半部好書?冰冷的在太空寂寞鏇轉的Sputnik是多麼妙的隱喻,可是我覺得故事的後半段從男主人公去希臘開始就崩瞭,實在是太遺憾瞭。
評分 評分##前期作品一直都彌漫著一種感傷的虛無主義,寫的是消費時代下大眾的孤獨主題。在這篇小說中,孤獨的主題仍被繼續延伸。當堇自從發現對敏的心意時便將其稱作“斯普特尼剋戀人”,斯普特尼剋的音譯是旅伴的意思,但發射的兩顆斯普特尼剋衛星卻沒能收迴,因此斯普特尼剋的隱藏含義卻是孤獨。此次村上將孤獨的主題發揮到極緻。但在作品中,在孤獨主題前提下,開始瞭自我尋找、自我質疑的寫作意識,K常常在自問我是什麼,我在追求什麼,我要往哪裏去,村上開始自我的尋求定義與確定,這與以往的“都市文學”有所進步,不再是那種文本的陌生化,保持著一定的距離,隻一味地沉浸在自己所營造的世界中,由介入精神的尋求到至今的承擔起文學救贖。
評分##從前有一隻毛茸茸的小熊,獨自生活在水星上。它日齣而作,日落而息。有時候獨自立於海邊(假設水星上有海的話),吹吹海風,看太陽整個落到海裡,然後迴洞穴。獨自自己是再正常不過的瞭,小熊是那麼認為的。日子算不上特別開心,也算不上乏味,總之小熊就是這麼...
評分##split. the part about carrot?..
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