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内容简介

The New Yorker was launched in 1925, and offers reporting, criticism, essays, fiction, poetry, humour, and cartoons. From the very outset, the founders, Harold Ross and Jane Grant, declared that their sophisticated magazine was 'not edited for the old lady in Dubuque'.

The New Yorker has also offered great literature in short stories from such acclaimed writers as John Cheever, Roald Dahl, Alice Munro, Haruki Murakami, Vladimir Nabokov, J. D. Salinger, and Shirley Jackson. From the very first issue, the now iconic monocled dandy Eustace Tilley made The New Yorker's covers unique and pointed. These signature traits have continued right up to the present day in the striking and sometimes controversial covers from such artists as Peter Arno, William Steig, Saul Steinberg, Jean-Jacques Sempé, and Art Spiegelman.

Selected by Francoise Mouly.

作者简介

Francoise Mouly joined The New Yorker as art editor in April 1993. She is the publisher and Editorial Director of TOON Books, an imprint of Candlewick Press. In 1980, Ms. Mouly was the founder, publisher, designer and co-editor with her husband, Art Spiegelman, of the pioneering comics anthology 'RAW', which launched artists such as Charles Burns, Sue Coe, Chris Ware, Xavier Mariscal, and many others. Ms. Mouly has been responsible for over 900 covers over her tenure at The New Yorker, many of which have been chosen by The American Society of Magazine Editors (ASME) as 'best cover of the year'. Born in Paris, Francoise Mouly studied architecture at the Beaux Arts, and moved to New York in 1974. In 2011 Ms. Mouly was awarded France's highest honor, the Legion of Honneur. She and her husband live in Manhattan.

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前言/序言

Postcards from The New Yorker: One Hundred Covers from 10 Decades Card Book 英文原版 [平装] 电子书 下载 mobi epub pdf txt

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罗斯去世后，威廉·肖恩接任主编，并一直任职达36年(1951-1987年)。在此期间，《纽约客》基本形成了现在的风格。此后，罗伯特·哥特列波(Robert Gottlieb) (1987-1992年) 和蒂娜·布朗(1992-1998年)先后担任主编。与肖恩低调的作风不同，布朗在任期间对纽约客进行了很多大胆的改革，也因此引起了很大的争论。她将杂志从黑白改为彩色，开始在版面上使用摄影作品，并采用更现代的版面设计，内容上也增加了对时事和热门话题的报道。 这些改革使得杂志更加通俗化，带来了更高的广告收入，并使得订数大量增长。但是这些市场化的做法也招致了很多批评，认为这些改革破坏了《纽约客》的传统。《纽约客》现任主编是大卫·瑞姆尼克(David Remnick), 于1998年接替布朗的职位。

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一部个人的成长史，一部爱情的传奇录

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一部个人的成长史，一部爱情的传奇录

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编辑本段特色

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