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內容簡介

This picture book begins placidly (and familiarly) enough, with three pigs collecting materials and going off to build houses of straw, sticks, and bricks. But the wolf's huffing and puffing blows the first pig right out of the story ...and into the realm of pure imagination. The transition signals the start of a freewheeling adventure with characteristic David Wiesner effects—cinematic flow, astonishing shifts of perspective, and sly humor, as well as episodes of flight.

Satisfying both as a story and as an exploration of the nature of story, The Three Pigs takes visual narrative to a new level. Dialogue balloons, text excerpts, and a wide variety of illustration styles guide the reader through a dazzling fantasy universe to the surprising and happy ending. Fans of Tuesday's frogs and Sector 7's clouds will be captivated by old friends—the Three Pigs of nursery fame and their companions—in a new guise.

三隻小豬一樣是小豬三兄弟，一樣蓋自己的小房子，大灰狼還是來敲門。但是這次大灰狼不是從煙囪裏掉進滾燙的湯裏，而是把三隻小豬吹齣故事瞭。故事外是安全的嗎？三隻小豬怎麼樣躲過壞心的大野狼呢？這次大衛·威斯納要讓你知道:原來，故事也可以這樣講……

作者簡介

David Wiesner's interest in visual storytelling dates back to high school days when he made silent movies and drew wordless comic books. Born and raised in Bridgewater, New Jersey, he graduated from the Rhode Island School of Design with a BFA in Illustration. While a student, he created a painting nine feet long, which he now recognizes as the genesis of Free Fall, his first book of his own authorship, for which he was awarded a Caldecott Honor Medal in 1989. David won his first Caldecott Medal in 1992 for Tuesday, and he has gone on to win twice more: in 2002 for The Three Pigs and in 2007 for Flotsam. He is only the second person in the award's history to win the Caldecott Medal three times. David and his wife, Kim Kahng, and their two children live near Philadelphia, where he devotes full time to illustration and she pursues her career as a surgeon.

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精彩書評

Wiesner has created a funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories.
--Booklist, ALA, Starred Review

"Children will delight in the changing perspectives...and the whole notion of the interrupted narrative...fresh and funny...Witty dialogue and physical comedy abound in this inspired retelling of a familiar favorite.
--School Library Journal, Starred

As readers have come to expect from the inventive works of Wiesner, nothing is ever quite as it seems in his picture books. This version of the pigs' tale starts off traditionally enough —warm, inviting watercolor panels show in succession the tiny houses, their owner-builders and their toothy visitor. But when the wolf begins to huff and puff, he blows the pigs right out of the illustrations. Though Wiesner briefly touched on this theme in his Free Fall (fans may note a strong resemblence between the dragon in that volume and the one featured in these pages), he takes the idea of 3-D characters operating independently of their storybooks to a new level here. The three pigs land in the margins, which open out onto a postmodern landscape hung with reams of pages made for climbing on, crawling under and folding up for paper airplane travel. Together the pigs visit a book of nursery rhymes and save the aforementioned dragon from death at the hands of the knight. When they get the dragon home, he returns their kindness by scaring the wolf off permenantly.

Even the book's younger readers will understand the distinctive visual code. As the pigs enter the confines of a storybook page, they conform to that book's illustrative style, appearing as nursery-rhyme friezes or comic-book line drawings. When the pigs emerge from the storybook pages into the meta-landscape they appear photographically clear and crisp, with shadows and three dimensions. Wiesner's (Tuesday) brillant use of white space and perspective (as the pigs fly to the upper right-hand corner of a spread on their makeshift plane, or as one pig's snout dominates a full page) evokes a feeling that the characters can navigate endless possibilities —and that the range of story itself is limitless.
--Publishers Weekly, Starred

With this inventive retelling, Caldecott Medalist Wiesner (Tuesday, 1991) plays with literary conventions in a manner not seen since Scieszka's The Stinky Cheese Man and Other Fairly Stupid Tales (1993). The story begins with a traditional approach in both language and illustrations, but when the wolf huffs and puffs, he not only blows down the pigs' wood and straw houses, but also blows the pigs right out of the story and into a parallel story structure. The three pigs (illustrated in their new world in a more three-dimensional style and with speech balloons) take off on a postmodern adventure via a paper airplane folded from the discarded pages of the traditional tale. They sail through several spreads of white space and crash-land in a surreal world of picture-book pages, where they befriend the cat from "Hey Diddle Diddle" and a charming dragon that needs to escape with his cherished golden rose from a pursuing prince. The pigs, car and dragon pick up the pages of the original story and return to that flat, conventional world, concluding with a satisfying bowl of dragon-breath-broiled soup in their safe, sturdy brick house. The pigs have braved the new world and returned with their treasure: the cat for company and fiddle music, the dragon's golden rose for beauty, and the dragon himself for warmth and protection from the wolf, who is glimpsed through the window, sitting powerlessly in the distance. On the last few pages, the final wqords of the text break apart, sending letters drifting down into the illustrations to show us that once we have ventured out into the wider worl, out stories never stay the same.
--Kirkus Reviews with Pointers

David Wiesner's postmodern interpretation of this tale plays imaginatively with traditional picture book and story conventions and with readers' expectations of both...Wiesner explores the possibilty of different realities within a book's pages. . . . Wiesner may not be the first to thumb his nose at picture-book design rules and storytelling techniques, but he puts his own distinct print on this ambitious endeavor. There are lots of teaching opportunities to be mined here—or you can just dig into the creative possibilities of unconventionality.
--Horn Book

前言/序言

The Three Pigs 三隻小豬 英文原版 [精裝] [4-8歲] 下載 mobi epub pdf txt 電子書

評分☆☆☆☆☆

交罰款瞭解到；拉附近的激發離開的時間發看得見 法律監督法律空間都是分開啦覺得是弗蘭卡覺得是弗蘭卡覺得是弗蘭卡技術的浪費空間啊放假啊來看大傢發瞭可視對講法律監督法拉剋江東父老卡角度來看放假啊上來大傢發手機發的是飛機啊解放啦開始就地方啦空間的十分瞭解啊受到瞭房間啊加大瞭是覺得煩啦開始就地方啦開始就地方啦簡單覺得煩啦科技時代浪費空間愛麗絲款到即發啦睡覺地方啦睡覺地方啦空間上的浪費空間啊手機發瞭深刻的就發；啦睡覺地方覺得舒服啦開始就地方啦時刻記得發連鎖酒店法律手段放假啊幾點阿裏斯頓減肥啦開始就地方啦開始就地方啦巨大瞭解到大煞風景阿拉斯加大幅拉升階段分啦涉及到法律實踐大幅拉升減肥大傢法律監督啦空間的法拉剋大煞風景阿拉斯加法律實踐地方啦涉及到法律涉及到法律思考的減法拉升階段弗蘭卡覺得是弗蘭卡是覺得煩啦江東父老卡時間的法拉剋涉及到法律思考剪短發可憐的師傅舉案說法老是打架法律監督法拉盛看見對方拉開始就地方啦看電視就發放假啊上課來得及發牢騷款到即發啦睡覺地方啦聖誕節法律實踐地方勞動時間發考慮時間法律實踐地方啦涉及到法律開始就地方啦開始就地方啦涉及到法律涉及到法律的老師的課件發來開始就地方啦開始就地方。

評分☆☆☆☆☆

這本繪本很好玩，大奬作品必收哈

評分☆☆☆☆☆

還好吧

評分☆☆☆☆☆

交罰款瞭解到；拉附近的激發離開的時間發看得見 法律監督法律空間都是分開啦覺得是弗蘭卡覺得是弗蘭卡覺得是弗蘭卡技術的浪費空間啊放假啊來看大傢發瞭可視對講法律監督法拉剋江東父老卡角度來看放假啊上來大傢發手機發的是飛機啊解放啦開始就地方啦空間的十分瞭解啊受到瞭房間啊加大瞭是覺得煩啦開始就地方啦開始就地方啦簡單覺得煩啦科技時代浪費空間愛麗絲款到即發啦睡覺地方啦睡覺地方啦空間上的浪費空間啊手機發瞭深刻的就發；啦睡覺地方覺得舒服啦開始就地方啦時刻記得發連鎖酒店法律手段放假啊幾點阿裏斯頓減肥啦開始就地方啦開始就地方啦巨大瞭解到大煞風景阿拉斯加大幅拉升階段分啦涉及到法律實踐大幅拉升減肥大傢法律監督啦空間的法拉剋大煞風景阿拉斯加法律實踐地方啦涉及到法律涉及到法律思考的減法拉升階段弗蘭卡覺得是弗蘭卡是覺得煩啦江東父老卡時間的法拉剋涉及到法律思考剪短發可憐的師傅舉案說法老是打架法律監督法拉盛看見對方拉開始就地方啦看電視就發放假啊上課來得及發牢騷款到即發啦睡覺地方啦聖誕節法律實踐地方勞動時間發考慮時間法律實踐地方啦涉及到法律開始就地方啦開始就地方啦涉及到法律涉及到法律的老師的課件發來開始就地方啦開始就地方。

評分☆☆☆☆☆

滿意

評分☆☆☆☆☆

很好非常好

評分☆☆☆☆☆

評分☆☆☆☆☆

評分☆☆☆☆☆

凱迪剋金奬作品，大傢可以一看

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