内容简介

作者简介

Social philosopher, utopian, novelist, and "father" of science fiction and science fantasy, Herbert George Wells was born on September 21, 1866, in Bromley, Kent. His father was a poor businessman, and young Bertie's mother had to work as a lady's maid. Living "below stairs" with his mother at an estate called Uppark, Bertie would sneak into the grand library to read Plato, Swift, and Voltaire, authors who deeply influenced his later works. He shoed literary and artistic talent in his early stories and paintings, but the family had limited means, and when he was fourteen years old, Bertie was sent as an apprentice to a dealer in cloth and dry goods, work he disliked.

He held jobs in other trades before winning a scholarship to study biology at the Normal School of Science in London. The eminent biologist T. H. Huxley, a friend and proponent of Darwin, was his teacher; about him Wells later said, "I believed then he was the greatest man I was ever likely to meet." Under Huxley's influence, Wells learned the science that would inspire many of his creative works and cultivated the skepticism about the likelihood of human progress that would infuse his writing.

Teaching, textbook writing, and journalism occupied Wells until 1895, when he made his literary debut with the now-legendary novel The Time Machine, which was followed before the end of the century by The Island of Dr. Moreau, The Invisible Man, and The War of the Worlds, books that established him as a major writer. Fiercely critical of Victorian mores, he published voluminously, in fiction and nonfiction, on the subject of politics and social philosophy. Biological evolution does not ensure moral progress, as Wells would repeat throughout his life, during which he witnessed two world wars and the debasement of science for military and political ends.

In addition to social commentary presented in the guise of science fiction, Wells authored comic novels like Love and Mrs. Lewisham, Kipps, and The History of Mister Polly that are Dickensian in their scope and feeling, and a feminist novel, Ann Veronica. He wrote specific social commentary in The New Machiavelli, an attack on the socialist Fabian Society, which he had joined and then rejected, and literary parody (of Henry James) in Boon. He wrote textbooks of biology, and his massive The Outline of History was a major international bestseller.

By the time Wells reached middle age, he was admired around the world, and he used his fame to promote his utopian vision, warning that the future promised "Knowledge or extinction." He met with such preeminent political figures as Lenin, Roosevelt, and Stalin, and continued to publish, travel, and educate during his final years. Herbert George Wells died in London on August 13, 1946.

Author biography from the Barnes & Noble Classics edition of The War of the Worlds.

巧合的是外传和前传都出现了自己的主题曲，而且同样都是在我印象里第一个在官方为仙剑唱歌的女孩来演唱的。遗憾的是当时《仙剑问情》并没有真正出现在外传里，而是出现在了后来的四代中由剧情NPC的口中吟唱出来，也算是一种弥补了吧。

也许是有了五代的教训，这次五前的宣传已经很保守（可能和本人没那么关注有关），官方CG和官方人物介绍都放得很有限，毕竟五代剧情大家都知道了，五前剧情就更好被玩家猜测而失去新鲜感。

在仙剑的历史里，有过外传的先例，早先的《问情篇》推出，反响并不如正传的《仙剑奇侠传三》那么好，记得自己还一度为这部作品有些鸣不平。

作为仙剑主角，这个男主显然是霸气不足，书生气有余的。坦白说我不是很喜欢夏侯的人物设定，更不习惯大家统称的“宝玉哥哥”，他的名字总让我觉得是官方为了和瑕配对而生的，瑾也是美玉的意思，显然北软做人设的大师对取名没有上软那么考究。（额，三代药草，三外星宿，四代石头大家印象还很深吧？）鉴于对男主的第一印象很一般，我就一直没有在游戏里用他带过队（剧情需要除外），不过瑾轩显然不是那种像贾宝玉似的看见姑娘死了只有哭的份的男人（略微吐槽下红楼）至始自终他都没有放弃过拯救朋友拯救爱人的责任，甚至他最后的抉择让我认为他比龙溟和姜云凡都要聪明的多，虽然最后和瑕一起杯具，但至少也无遗憾了。而且，这个家伙说出了和“吃到老，玩到老”一样最平凡但是最打动人的誓言。

暮菖兰是个潇洒的姑娘，我一直这么觉得，作为唯一活下来的人她又是最痛苦的一个，穿机后再去看第一版宣传CG才明白那三杯酒的含义，滴在酒中的泪，祭奠一份永远逝去的欢笑经历。也许大家并不喜欢她为了钱不惜出卖情报的作为，但看到暮霭村剧情我觉得我又可以理解，作为仙剑的主角，每一个人身上总是背负了些什么，好在他们总是有情有义的。

活着最痛苦

很好很实用，哈哈哈哈哈

是爸妈网的朋友介绍的,说是好书 确实不错,书的字比较大,适合亲子阅读或孩子自主阅读 是章节书哦,黑白文字的

瑕的设定第一次放出时被众人定位在了类似仙五小蛮一样的萝莉类型上，潇洒挥舞着双剑侧马尾，给人感觉就是一个很乐观开朗的女孩，我一直很在意她眼角那颗泪痣，如同她的名字一样，瑕，玉中有疵，那不是一种缺陷，是一种别样的美。虽然不如暮菖兰帅气潇洒，不如凌波惊艳脱俗，不如结萝俏皮精灵，但瑕成了大家最喜爱的角色，她是不完美的女孩，却是最让人心疼的女子，在她的身上只有对命运的抗争，对爱人的温柔，和做人的坚持，很难想象一具柔弱的身体会承担起这么多，直到最后一刻也要坚持着用灵魂去对抗占据身体的魔障。