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　　“新闻学与传播学经典丛书·英文原版系列”，选取了在新闻学与传播学历史上具有里程碑意义的大师经典名作。如传播学“四大奠基人”哈罗德·拉斯韦尔、保罗·拉扎斯菲尔德等及加布里埃尔·塔尔德、罗伯特·帕克、哈罗德·英尼斯、马歇尔·麦克卢汉、库尔特·卢因、卡尔·霍夫兰等这些学界耳熟能详的名家佳作。这些是传播学与新闻学的奠基之作，也是现代新闻学与传播学发展的基础。许多名作都多次再版，影响深远，历久不衰，成为新闻学与传播学的经典。此套丛书采用英文原版出版，使读者读到原汁原味的著作。
　　随着中国高等教育教学改革的推进，广大师生已不满足于仅仅阅读国外图书的翻译版，他们迫切希望能读到原汁原味的原版图书，希望能采用国外英文原版图书进行教学，从而保证所讲授的知识体系的完整性、系统性、科学性和文字描绘的准确性。此套丛书的出版便是满足了这种需求。亦可使学生在专业技术方面尽快掌握本学科相应的外语词汇和了解先进国家的学术发展的方向。
　　本系列丛书在原汁原味地引进英文原版图书的同时，将目录译为中文，作为对原版的一种导读，供读者阅读时参考。本系列丛书有些因为出版年代比较久远，也囿于当时印刷水平的限制，有些地方可能与现在的标准不太一致，在不影响读者阅读的前提下，我们未对其进行处理，以保证英文原版图书的原汁原味。

内页插图

目录

序言
第一章 活的生物
第二章 活的生物和“以太物”
第三章 拥有一个经验
第四章 表现的动作
第五章 表现性对象
第六章 实质与形式
第七章 形式的自然史
第八章 能量的组织
第九章 各门艺术的共同实质
第十章 各门艺术的不同实质
第十一章 人的贡献
第十二章 对哲学的挑战
第十三章 批评与知觉
第十四章 艺术与文明
索引

前言/序言

　　In the winter and spring of 1931， I was invited to give a series of ten lectures at Harvard University. The subject chosen was the Philosophy of Art; the lectures are the origin of the present volume. The Lectureship was founded in memory of William James and I esteem it a great honor to have this book associated even indirectly with his distinguished name. It is a pleasure， also， to recall， in connection with the lectures， the unvarying kindness and hospitality of my colleagues in the department of philosophy at Harvard.
　　I am somewhat embarrassed in an effort to acknowledge indebtedness to other writers on the subject. Some aspects of it may be inferred from authors mentioned or quoted in the text. I have read on the subject for many years， however， more or less widely in English literature， somewhat less in French and still less in German， and I have absorbed much from sources which I cannot now directly recall. Moreover， my obligations to a number of writers are much greater than might be gathered from allusions to them in the volume itself.
　　My indebtedness to those who have helped me directly can be more easily stated. Drjoseph Ratner gave me a number of valuable references. Dr. Meyer Schapiro was good enough to read the twelfth and thirteenth chapters and to make suggestions which I have freely adopted. Irwin Edman read a large part of the book in manuscript and I owe much to his suggestions and criticism. Sidney Hook read many of the chapters， and their present form is largely the result of discussions with him， this statement is especially true of the chapters on criticism and the last chapter， My greatest indebtedness is to Dr. A. C. Barnes. The chapters have been gone over one by one with him， and yet what I owe to his comments and suggestions on this account is but a small measure of my debt. I have had the benefit of conversations with him through a period of years， many of which occurred in the presence of the unrivaled collection of pictures he has assembled. The influence of these conversations， together with that of his books， has been a chief factor in shaping my own thinking about the philosophy of esthetics. Whatever is sound in this volume is due more than I can say to the great educational work carried on in the Barnes Foundation. That work is of a pioneer quality comparable to the best that has been done in any field during the present generation， that of science not excepted. I should be glad to think of this volume as one phase of the widespread influence the Foundation is exercising.
　　I am indebted to the Barnes Foundation for permission to reproduce a number of illustrations and to Barbara and Willard Morgan for the photographs from which the reproductions were made.
艺术即经验 [Art as Experience] 电子书 下载 mobi epub pdf txt

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