基本信息

書名：名師導學係列：2010年考研英語衝刺預測試捲(含考點精解)

定價：24.00元

作者：韓鵬

齣版社：高等教育齣版社

齣版日期：2009-08-01

ISBN：9787040277159

字數：

頁碼：218

版次：1

裝幀：平裝

開本：16開

商品重量：0.359kg

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內容提要

《2010年考研英語衝刺預測試捲（含考點精解）》嚴格按照2010年考研《英語考試大綱》的要求編寫，在體例設置、內容安排、考查目標等方麵與2010年實際考研試題要求完全一緻。本預測試捲由韓鵬老師字字推敲、精心編撰而成。為考生在後復習階段提供瞭一套全麵的、係統的考研衝刺試捲，使考生進入2010年考研考場時可産生“似曾相識”和“早已做過這道題”的興奮。往屆考生建議：衝刺階段使用，檢測復習效果和現階段的水平，力求弄清每一道題的來龍去脈，總結答錯題的原因。
　　《2010年考研英語衝刺預測試捲（含考點精解）》供考生在強化、衝刺階段使用，其中包括新題型精講精練、解題技巧及10套左右全真模擬試捲。各套試題為作者精心編製，具有典型性、針對性、綜閤性等特點，幫生進一步鞏固基礎階段所學的基本理論、基本知識，掌握重點試題，熟悉答題方法，增強應試能力。

目錄

模擬試捲一
模擬試捲二
模擬試捲三
模擬試捲四
模擬試捲五
模擬試捲六
模擬試捲七
模擬試捲八
模擬試捲九
模擬試捲十

作者介紹

文摘

Many people believe that America has gone too far iprotecting copyright at the expenseof the public good, including, it seems, the mission, which said last year that it saw noneed to lift its ow50-year limit. Its deadline for proposals ocopyright law has slipped fromthis year to 2006. But governments are likely to weigh iothe issue. France, Italy and Por-tugal have indicated that they support aextensioof the term, and Britaiis likely to stickup for its owmusic major, EMI.
　　Although artists and their estates want longer copyright, the big music firms would bene-fit from it the most, especially ithe next couple of decades, says StepheKing, chairmanof the Associatioof United Recording Artists and manager of the Libertines. （45）Now they have wised up about making deals. The best guarantee of financial security——saferthaclinging oto copyright——is hiring a good lawyer early on.
　　 He is unlikely to produce such a big hit ithe near future, so more of his attentionis directed to revising the old song and selling it to more people.
　　 Back ithe 1950s, he says, performers got only one-tenth of the share of royaltiesthat they do now. For years, artists have, with good reason, accused big record labels ofripping them off.
　　 This month, early recordings by Elvis himself started to enter Europe s public do-main. Over the next few decades a torrent of the most popular tracks from the Beatles, theRolling Stones and many other artists will bee public property iEurope——to the pleasureof fans and the consternatioof the music industry.
　　 The music industry also points out that America gives artists almost twice as muchcopyright protectioas Europe. America has repeatedly lengthened copyright terms, with thelatest reprieve, the Sonny Bono Copyright Term ExtensioAct of 1998, giving performersprotectiofor 95 years after publication.
　　 But whethe attentiois shifted from Europe to America, artists should feel muchbetter because the length of copyright protectiothere is eveshorter. It seems that theAmericagovernment is more interested iserving the public thathe already very rich art-isis.
　　 Music executives want the EuropeaCommissioto protect them from such unwel-e petitioby extending the copyright term.
　　 And that estimate accounts only for songs up to the end of the 1950s. Far more willbe at risk as music from the 1960s and 1970s moves out of copyright.

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