Francoise Barbe-Gall studied history of art at the Sorbonne and also at the Ecole du Louvre, where she now teaches. She also directs an association called CORETA (Comment Regarder un Tableau), for whom she gives many lectures. She is regularly called upon to participate in management workshops, where her experience of analysing images in relation to publicity and marketing is called upon. Editions de l'Agenda de L'Empresa have published a collection of her articles, and she is the author of several articles on the work of the sculptor Tom Carr. She is the author of How to Talk to Children about Art and How to Understand a Painting, both published in English by Frances Lincoln.
Choosing ten symbols from the natural world (the sun, the shell, the bird) and ten man-made (the window, the book, the mirror), Françoise Barbe-Gall illuminates our understanding of how these have been used and developed in art from the fifteenth to the twenty-first century, with sixty-eight wonderfully vivid examples.
Painting has always made abundant use of forms and objects to convey abstract ideas: love, hope for eternal life, loyalty or betrayal. These recurring motifs, which were familiar to many in the past, have mostly become mysterious to the audiences of today. Today's art-lover will have to learn to look out for all the small things that can so easily seem like unimportant details, or simply decoration. But a flower, a reflection in a mirror or a bird in flight nearly always mean more than they first appear to.
From Holbein's apple of knowledge to the black cat at the foot of Manet's Olympia, from Magritte's mysterious candles to Georgia O'Keeffe's flowers, this book shows how each work makes use of the language of symbols in an original and more meaningful way.
##中西方的繪畫是如此的不同,以至於它們看上去就像是彼此的對立麵,中國畫以山水、花鳥等作為繪畫內容,多采用綫條,講求神韻,達到一種曠遠的意境,而西方畫非常寫實,多以宗教和神話為題材,用現代科學的知識達到精確的形似,看西方油畫常為其色彩的濃烈和豐富的背景所吸引,...
評分本來以為創作是人的天性,自然欣賞也是天性 藝術創作脫離人群的時候有一種美,平民藝術喚起人們的共鳴也是另一種美。 節奏這麼快,誰還靜下心來看你的私人作品,然後想想以前的畫傢也是靠貴族包養,藝術也是不能完全脫離商業的。 想想一步之遙被這麼多人罵心裏是有那麼點不...
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