junya ishigami (1974) studied architecture at the tokyo national university of fine arts and music. for him architecture is a boundless field of infinite possibilities that affects every area of life while raising existential questions and requiring both scientific and artistic observation. besides childhood fantasies and the power of imagination, the winner of the golden lion at the 2010 venice biennale of architecture is also inspired by nature. he has worked for kazuyo sejima and ryue nishizawa/SANAA. in 2004 he set up his own firm, junya.ishigami+associates. he has made his name in our part of the world with experimental installations that lie somewhere between furniture, art and architecture. his first major brief was for a place for study and work at the japanese kanagawa institute of technology. since then he has completed building projects in japan, russia, chile, france, and the netherlands.
the art of architecture: between poetry and science
junya ishigami‘s work process is strictly methodical and oriented toward expanding the existing boundaries between design, architecture, and geography. the aesthetics of concentration, the transparency, and the simplicity of his ideas, models, and buildings are based on complex creative processes. ishigami presents his holistic search for the right proportions in a new publication: how small? how vast? how architecture grows, edited by chinatsu kuma, with texts by junya ishigami, and graphic design by takuma hayashi.
##好精緻,確實是隻有日本人纔能做齣這樣的作品。 這本小集子實際上提供瞭一種思考的方式,提煉瞭一種扯概念的技法,比如A與B,A中的B,B中的A,由A到B,像A一樣建造B…這其中A可能是森林,海洋,石頭,B可能是城市,住房,村落。在對待自然的態度上,中國日本和西方截然不同,中國是以自然為尊,西方是徵服自然,而日本則是把自然當做朋友,朝夕相處。
評分##Feels like he is living in the dream...I’m jealous
評分 評分##Feels like he is living in the dream...I’m jealous
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