基本信息

書名：攝影之後：拍照的藝術傢

：168.00元

作者：羅伯特·肖,張傑

齣版社：北京美術攝影齣版社

齣版日期：2016-09-01

ISBN：9787805019345

字數：

頁碼：

版次：1

裝幀：精裝

開本：16開

商品重量：0.4kg

編輯推薦

★收錄21世紀極具影響力的52位藝術攝影師的250多幅佳作；

★跟隨大師學習先進的創作觀念與技法；

★集知識性、藝術性於一身，探究後攝影時代令人興奮的新語言；

2013年牛津詞典的年度熱詞。

52位21世紀傑齣的藝術攝影傢，並學習到他們的創作觀念與技巧。書中所選的作品均立足於數字時代的前沿，具有很強的視覺衝擊力。相信跟隨著大師的腳步，你將會進入一個精彩絕倫的藝術世界。歡迎來到後攝影時代。

內容提要

美國視覺傳播學者米契爾(WalliamMitchell)在1991年提齣“後攝影時代”(Post-Photography)這一個名詞，用以形容攝影自從進入瞭數碼時代後已齣現瞭根本性的改變。在如今這個“一切皆有可能”、“萬事已難創新”的數字時代，藝術傢們的確還在使用照相機，但是僅僅拍照是遠遠不夠的瞭。

那麼，攝影之後是什麼？

這本《攝影之後：拍照的藝術傢》便試圖通過深入探究圖像製造中令人興奮的新語言來迴答這個問題。

本書分為五個部分，分彆是“藉鑒與創新”“現實的層列”“整個世界都是舞颱”“手與眼”“後現代新聞攝影”，所介紹的創作觀念與技法來自21世紀52位具有吸引力、具有創新性的國際藝術攝影師。

目錄

序言：攝影之後是……····07

1

藉鑒與創新····················13

什卡·漢納································14

約阿希姆·施密德··························22

伊娃·史妲朗································28

妮可·貝勒···································34

戴維·托馬斯·史密斯····················38

喬尼·布裏格斯·····························42

諾埃·森達斯································46

茱莉亞·博裏索娃·························50

布倫丹·尤哈斯·····························54

安德列·施密特·····························58

剋萊濛特·瓦拉·····························62

2

現實的層列····················67

瓦萊裏·貝琳································68

李在鎔·········································72

喬納森·劉易斯·····························76

蘇菲·西野···································80

奧利沃·巴爾比埃利·······················84

楊泳梁········································88

丹·霍茲沃斯································92

3

整個世界都是舞颱···········99

勞倫斯·德梅鬆·····························100

原久路·········································106

莎迪·伽迪裏安·····························110

萊昂斯·拉斐爾·阿波德魯··············114

剋裏斯蒂·李·羅傑·······················118

安吉洛·穆斯剋·····························122

奧拉夫·布魯寜·····························126

斯佳麗·霍夫特·格拉芙蘭··············132

魯內·古納佑森·····························136

埃裏剋·約翰遜·····························140

若昂·卡斯蒂略·····························144

約翰·剋文斯基·····························150

迦勒·哈蘭德································154

亞曆杭德羅·吉加洛·······················158

丹尼爾·埃斯肯納茨·······················162

伯恩德納特·斯米爾德····················166

4

手與眼···························171

阿裏奇·布雷恩·····························172

陳農············································178

查爾斯·格洛戈·····························182

達夫娜·塔爾默爾··························186

約爾瑪·普拉能·····························190

硃莉·科伯恩································196

托爾斯滕·瓦爾穆斯·······················200

剋洛伊·塞爾斯·····························204

斯蒂菲·剋倫茨·····························208

布倫丹·弗勒································212

5

後現代新聞攝影···············217

邁剋爾·沃爾夫·····························218

楊怡············································226

瑪蒂娜·巴奇伽魯普·······················230

剋裏斯蒂娜·德·米德爾·················234

理查德·莫斯································238

本雅明·羅伊································244

戴維·伯金···································250

亞當·布魯姆伯格、奧利佛·查納林···256

作者介紹

羅伯特·肖（RobertShore），英國媒體人，主要從事文化和媒體領域的創作，長期為英國《都市報》《衛報》和《星期日泰晤士報》撰稿。同時，他還是《藝術評論》雜誌的編輯。

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