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內容簡介

Whether they listen to Mozart or Duke Ellington, Aaron Copland invites readers to ask two basic questions: Are they hearing everything that is going on? Are they really being sensitive to it? With his provocative suggestions, Aaron Copland guides readers through a deeper appreciation of the most rewarding of all art forms.

作者簡介

Aaron Copland’s well-known and highly regarded compositions, performed and recorded extensively throughout the world, include the Pulitzer Prize–winning ballet Appalachian Spring, as well as Billy the Kid, Rodeo, Lincoln Portrait, and the film scores of Our Town and The Heiress. On being awarded a Congressional Gold Medal in 1986, Copland was praised for his “uniquely American music that reflects the very soul and experience of our people.” During his career, Copland taught composition at Harvard and the Berkshire Music Center, lectured all over the United States, and wrote Our New Music and Music and Imagination. He died in 1990.

精彩書評

This is a reprint of the enormously popular 1957 edition of Copland's guide to music. There is no new text by Copland, only a new introduction by composer William Schuman, which is more an encomium to the "Dean of American Music." In large measure, the book owes its success to its simple, jargon-free language and engaging style. One wishes, though, that Copland might have added an assessment of the musical scene of the past 30 years. The bibliography has not been updated and is thus virtually useless, with the most recent entry 1955. Nonetheless, the book remains an excellent guide for the novice.
--Larry Lipkis, Moravian Coll., Bethlehem, Pa.

目錄

Aaron Copland: America's Musical Voice
Foreword
Introduction
Author's Note for the 1957 Edition
Preface
Acknowledgments
1.Preliminaries
2.How We Listen
3. The Creative Process in Music
4.The Four Elements of Music－I. Rhythm
5.The Four Elements of Music－II. Melody
6.The Four Elements of Music－III. Harmony
7.The Four Elements of Music－IV. Tone Color
8.Musical Texture
9.Musical Structure
10.Fundamental Forms－I. Sectional Form
11.Fundamental Forms--II. Variation Form
12.Fundamental Forms--III. Fugal Form
13.Fundamental Forms--IV. Sonata Form
14.Fundamental Forms--V. Free Forms
15.Opera and Music Drama
16.Contemporary Music
17.Film Music
18.From Composer to Interpreter to Listener
Epilogue: "Since Then"
Appendix I
Appendix II
Appendix III
Suggested Bibliography for Further Reading
Index

前言/序言

What to Listen For in Music 如何欣賞音樂 [平裝] 下載 mobi epub pdf txt 電子書

評分☆☆☆☆☆

推薦，但是感覺質量不是很好~

評分☆☆☆☆☆

從平荊州，以仁行徵南將軍，留屯江陵，拒吳將周瑜。瑜將

評分☆☆☆☆☆

從平荊州，以仁行徵南將軍，留屯江陵，拒吳將周瑜。瑜將

評分☆☆☆☆☆

送貨及時方便

評分☆☆☆☆☆

當你孤獨寂寞時讀書，它就像佳人乍到，給你送來瞭清新的問候和舒適的撫慰，

評分☆☆☆☆☆

還沒讀完。一點一點讀吧~~

評分☆☆☆☆☆

評分☆☆☆☆☆

his is a reprint of the enormously popular 1957 edition of Copland's guide to music. There is no new text by Copland, only a new introduction by composer William Schuman, which is more an encomium to the "Dean of American Music." In large measure, the book owes its success to its simple, jargon-free language and engaging style. One wishes, though, that Copland might have added an assessment of the musical scene of the past 30 years.

評分☆☆☆☆☆

確實是很久很久以前的原版書的感覺……

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