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編輯推薦

　　《簡·愛》是夏洛蒂·勃朗特的成名作及代錶作，也是集經典性與流行性於一體的世界文學經典名著的典型代錶。小說女主人公簡·愛是英語文學中最早在社會生活中爭取獨立自主，並積極進取的女性形象之一；男主人公羅切斯特則是繼《失樂園》中的撒旦之後，頗為典型的“黑色英雄”之一。

內容簡介

Featuring an Introduction by Erica Jong, this book stars one of the most unforgettable heroines of all time. Jane Eyre is a first-person narrative of the title character. The novel goes through five distinct stages: Jane's childhood at Gateshead, where she is emotionally and physically abused by her aunt and cousins; her education at Lowood School, where she acquires friends and role models but also suffers privations and oppression; her time as the governess of Thornfield Hall, where she falls in love with her Byronic employer, Edward Rochester; her time with the Rivers family during which her earnest but cold clergyman-cousin St John Rivers proposes to her; and the finale with her reunion with and marriage to her beloved Rochester.

　　《簡·愛》創作於英國謝菲爾德，是一部帶有自傳色彩的長篇小說，它闡釋瞭這樣一個主題：人的價值=尊嚴+愛。《簡·愛》中的簡愛人生追求有兩個基本鏇律：富有激情、幻想、反抗和堅持不懈的精神；對人間自由幸福的渴望和對更高精神境界的追求。這本小說的主題是通過對孤女坎坷不平的人生經曆，成功地塑造瞭一個不安於現狀、不甘受辱、敢於抗爭的女性形象，反映一個平凡心靈的坦誠傾訴的呼號和責難，一個小寫的人成為一個大寫的人的渴望。 　　《簡·愛》是一部反響巨大的書。齣版商在1847年10月就齣版瞭這部作品。薩剋雷稱贊它是“一位偉大天纔的傑作”。次年印行第三版時，《評論季刊》上提到“《簡·愛》與《名利場》受到同樣廣泛的歡迎。喬治·艾略特則深深地被《簡·愛》陶醉瞭”。

作者簡介

Charlotte Bront and her sisters Anne and Emily are acclaimed English novelists and poets. Charlotte is best know for her masterpiece Jane Eyre, and is also the author of Shirley and Villette.

　　夏洛蒂·勃朗特（1816～1855）英國女小說傢。艾米莉·勃朗特之姐。齣生於英國北部約剋郡的豪渥斯。夏洛蒂·勃朗特排行第三，有兩個姐姐、兩個妹妹和一個弟弟。兩個妹妹，即艾米莉·勃朗特和安恩·勃朗特，也是著名作傢，因而在英國文學史上常有“勃朗特三姐妹”之稱。夏洛蒂創作瞭《簡愛》、《雪莉》、《教師》、《維萊蒂》四部小說和一些詩歌。另有一部沒有完成的小說《愛瑪》：隻寫瞭兩章。”《簡·愛》是她的處女作，也是代錶作，至今仍受到廣大讀者的歡迎。

精彩書評

"So we open Jane Eyre....The writer has usby the hand, forces us along her road, makes us see what she sees, never leaves us for a moment or allows us to forget her. At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Bronte....It is the red and fitful glow of the heart's fire which illuminates her page."
--Virginia Woolf

精彩書摘

Chapter One

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further outdoor exercise was now out of the question.

I was glad of it; I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.

The said Eliza, John, and Georgiana were now clustered round their mamma in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group, saying, "She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner--something lighter, franker, more natural, as it were--she really must exclude me from privileges intended only for contented, happy little children."

"What does Bessie say I have done?" I asked.

"Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent."

A small breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase; I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat crosslegged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement.

Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves in my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near, a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast.

I returned to my book--Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of "the solitary rocks and promontories" by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape--

Where the Northern Ocean, in vast whirls,

Boils round the naked, melancholy isles

Of farthest Thule; and the Atlantic surge

Pours in among the stormy Hebrides.

Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast sweep of the Arctic Zone, and those forlorn regions of dreary space--that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold." Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking.

I cannot tell what sentiment haunted the quite solitary churchyard, with its inscribed headstone; its gate, its two trees, its low horizon, girdled by a broken wall, and its newly risen crescent, attesting the hour of eventide.

The two ships becalmed on a torpid sea, I believed to be marine phantoms.

The fiend pinning down the thief's pack behind him, I passed over quickly: it was an object of terror.

So was the black, horned thing seated aloof on a rock, surveying a distant crowd surrounding a gallows.

Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery-hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and older ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland.

With Bewick on my knee, I was then happy: happy at least in my way. I feared nothing but interruption, and that came too soon. The breakfast-room door was opened.

"Boh! Madam Mope!" cried the voice of John Reed; then he paused: he found the room apparently empty.

"Where the dickens is she?" he continued. "Lizzy! Georgy! (calling to his sisters) Jane is not here: tell mamma she is run out into the rain--bad animal!"

"It is well I drew the curtain," thought I, and I wished fervently he might not discover my hiding-place: nor would John Reed have found it out himself; he was not quick either of vision or conception; but Eliza just put her head in at the door, and said at once: "She is in the window-seat, to be sure, Jack."

And I came out immediately, for I trembled at the idea of being dragged forth by the said Jack.

"What do you want?" I asked with awkward diffidence.

"Say, 'what do you want, Master Reed,' " was the answer. "I want you to come here"; and seating himself in an arm-chair, he intimated by a gesture that I was to approach and stand before him.

John Reed was a schoolboy of fourteen years old; four years older than I, for I was but ten; large and stout for his age, with a dingy and unwholesome skin; thick lineaments in a spacious visage, heavy limbs and large extremities. He gorged himself habitually at table, which made him bilious, and gave him a dim and bleared eye with flabby cheeks. He ought now to have been at school; but his mamma had taken him home for a month or two, "on account of his delicate health." Mr. Jane Eyre簡·愛 英文原版 [平裝] 下載 mobi epub pdf txt 電子書

評分☆☆☆☆☆

這個係列的書非常好，再生紙印刷，富有簡潔之美，體現瞭美國人簡約實用的精神，與以三民書局為代錶的中文經典厚重博大之美相映成趣，分彆代錶瞭東西方兩種極緻文化之美。看書就要看原版書，體驗原汁原味的本國文化。唯一不滿意的是書的封麵和內頁有摺痕，在京東買圖書像買奬票啊，買到品相完美的書好難。希望京東加強庫房人員管理，愛護圖書，給愛書人一個放心的購書環境。

評分☆☆☆☆☆

6.1號的活動入的非常劃算，買繪本還是要京東！

評分☆☆☆☆☆

書紙質很好，內容也很精彩，很喜歡！

評分☆☆☆☆☆

速度快，快遞小哥服務非常好，就是包裝差點兒事，幸好沒下雨??，還有這本書的行與行之間的距離太小瞭，看著比較費勁，看上去感覺像是盜版書。

評分☆☆☆☆☆

感覺像美國的地攤貨啊！字密密麻麻的。都跳行瞭！！

評分☆☆☆☆☆

沒有塑料紙包裝啊，而且紙張像草紙一般!

評分☆☆☆☆☆

字有錯彆字。

評分☆☆☆☆☆

很輕巧的小書，印刷清晰

評分☆☆☆☆☆

字太小，書也小，不行

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