出版社: Taschen GmbH (2017年1月3日)
精装: 725页
语种: 英语
ISBN: 3836537192
条形码: 9783836537193
商品尺寸: 14.7 x 4.3 x 20.1 cm
Graphic beauty Michelangelo's breathtaking drawings Very few artists can claim such lasting and worldwide fame and importance as Michelangelo Buonarroti (1475-1564). The nickname il divino ("the divine one") has been applied to him since the 1530s right through to today: his achievements as a sculptor, painter, and architect remain unparalleled and his creations are among the best-known artworks in the world. This Bibliotheca Universalis edition is devoted to the artist's graphic work, a testimony to his masterly command of line, form, and detail, from architectural studies to anatomically perfect figures. The book brings together some of the artist's finest drawings from museums and collections around the world as well as some of his own notes and revisions, offering stunning proximity not only to the ambition and scope of Michelangelo's practice but also his working process. A chapter with a compilation of newly attributed and reattributed drawings provides further insights into Michelangelo's varied graphic oeuvre and the ongoing exploration of his genius.About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.
Thomas Popper wrote his doctoral thesis on 15th-century Italian Renaissance sculpture (2003). After a fellowship at the Bibliotheca Hertziana, he worked as a volunteer for the Schleswig-Holsteinische Landesmuseen. Following further appointments at universities in Hamburg und Leipzig, since 2008 he has been Professor of Art and Design History at the West Saxon University of Applied Sciences of Zwickau, where he is currently Head of the Faculty of Applied Art. Popper has published on a variety of aspects of Italian art from the Middle Ages to the Baroque, German painting of the Early Modern era and German sculpture of the 19th and 20th century.
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