许渊冲英译中国经典诗文集-诗经（精装）（汉英） [Book of Poetry] pdf epub mobi txt 电子书下载 2025

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出版社：五洲传播出版社，

ISBN：9787508521978

版次：1

商品编码：10924279

包装：精装

丛书名：中国经典诗文集

外文名称：Book of Poetry

开本：32开

出版时间：2012-01-01

用纸：胶版纸

页数：762

正文语种：中文，英文

具体描述

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丛书译者为许渊冲先生，其从事翻译工作70年，2010年12月荣获“中国翻译文化终身成就奖”；2014年8月荣获由国际译联颁发的文学翻译领域很高奖项——“北极光”杰出文学翻译奖，成为首位获该奖的亚洲翻译家。

经许先生的妙手，许多中国经典诗文被译成出色的英文韵语。这套汉英对照版“许译中国经典诗文集”荟萃许先生具代表性的英文译作14种，汉语部分采用中华书局版本。这些作品包括多种体裁，上起先秦，下至清代，既是联接所有中国人思想、情感的文化纽带，也是中国文化走向世界的重要桥梁。阅读和了解这些作品，即可尽览中国文化的“源头活水”。相信这套许氏译本能使英语读者分享孔子、老子的智慧，分享唐诗、宋词、中国古典戏曲的优美，并以此促进东西方文化的交流。

2015年2月2日，由中国出版协会举办的第五届中华优秀出版物奖在京揭晓， “许译中国经典诗文集”（汉英对照）（14册）荣获“提名奖”。

内容简介

许渊冲--诗译英法专家，北京大学教授，翻译家。希望这套许氏译本能使英语读者对中国经典诗文也能“知之，好之，乐之”，能够分享孔子、老子的智慧，分享唐诗、宋词、中国古典戏曲的优美，并以此促进东西文化的交流。值得珍藏。许渊冲先生从事翻译工作70年，2010年12月荣获“中国翻译文化终身成就奖”。他被称为将中国诗词译成英法韵文的专家，经他的妙手，许多中国经典诗文被译成出色的英文和法文韵语。这套“中国经典诗文集”就是由他所译，前半部分是英文，后半部分是中文。

Ancient Chinese classic poems are exquisite works of art. As far as 2,000 years ago, Chinese poets composed the beautiful work Book of Poetry and Elegies of the South, Later, they created more splendid Tang poetry and Song lyrics. Such classic works as Thus Spoke the Master and Laws: Divine and Human were extremely significant in building and shaping the culture of the Chinese nation. These works are both a cultural bond linking the thoughts and affections of Chinese people and an important bridge for Chinese culture and the world. Mr. Xu Yuanchong has been engaged in translation for 70 years. In December 2010, he won the Lifetime Achievement Award in Translation conferred by the Translators Association of China (TAC). He is honored as the only expert who translates Chinese poems into both English and French. After his excellent interpretation, many Chinese classic poems have been further refined into perfect English and French rhymes. This collection of Classical Chinese Poetry and Prose gathers his most representative English translations. It includes the classic works Thus Spoke the Master, Laws: Divine and Human and dramas such as Romance of the Western Bower, Dream in Peony Pavilion, Love in Long-life Hall and Peach Blossom Painted with Blood. The largest part of the collection includes the translation of selected poems from different dynasties. The selection includes various types of poems, lyrics and Yuan, Ming and Qing dynasty songs. The selected works start from the pre-Qin era to the Qing Dynasty, covering almost the entire history of classic poems in China. Reading these works is like tasting "living water from the source" of Chinese culture. We hope this collection will help English readers "know, love and appreciate" Chinese classic poems, share the intelligence of Confucius and Lao Tzu, share the gracefulness of Tang Dynasty poems, Song lyrics and classic operas and songs and promote exchanges between Eastern and Western culture. This book is one of the 14 books of Classical Chinese Poetry and Prose, a translation of Confucian classics Thus Spoke the Master.

作者简介

许渊冲，1921年出生于江西南昌。先后毕业于西南联大、巴黎大学。北京大学文学翻译教授。英文著作有《中诗英韵探胜》、《逝水年华》。译作方面，除了由英国企鹅出版公司出版的汉译英《不朽之歌》外，还有《诗经》、《楚辞》、《唐诗三百首》、《宋词三百首》、《李白诗选》、《苏东坡诗词选》、《西厢记》和《毛泽东诗词选》等英译或法译。外译汉则有福楼拜《包法利夫人》等世界文学名著多种。2010年，荣获中国翻译文化终身成就奖。

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精彩书评

历代诗、词、曲译成英文，且能押韵自然，功力过人，实为有史以来di一。
——顾毓琇，已故美国宾州大学荣誉退休教授

许教授已因其对中国诗歌的韵译而赢得世界性的声誉。
——奚如谷，加州大学伯克利分校教授

许教授的《楚辞》英译当算英美文学里的一座高峰。
——寇志明，澳大利亚墨尔本大学学者

许译《西厢记》在艺术性和吸引力方面，可以和莎士比亚的《罗密欧与朱丽叶》媲美。
——英国智慧女神出版社

精彩书摘

First Decade of Odes

To Guests*

How gaily call the deer

While grazing in the shade!

I have welcome guests here.

Let lute and pipe be played.

Let offerings appear

And lute and strings vibrate.

If you love me, friends dear,

Help me to rule the state.

How gaily call the deer

While eating southernwood!

I have welcome guests here

Who give advices good.

My people are benign;

My lords will learn from you.

I have delicious wine;

前言/序言

Preface

Few people in Europe and America know that the earliest anthology of verse in the world is the Book of Poetry compiled in China 2500 years ago. This book consists of 305 poems dating from 1713 B.C. (“The Rise of Shang”) to 505 B.C. (“Comradeship”). It is divided according to the type of music into four main sections: 160 Songs sung by the people in 15 city states and collected by royal musicians; 74 Odes and 31 Epics sung by the nobles at court or at banquets, and 40 Hymns used during sacrifice to the gods and ancestors. The section of Hymns is subdivided into “Hymns of Zhou,” “Hymns of Lu” and “Hymns of Shang,” the last of which is said to be the oldest, dating from between the 17th and the 12th century B.C.

Songs of the early Western Zhou Dynasty composed from the 11th to the 9th century B.C. include all the “Hymns of Zhou”, a small part of the Epics and a few lyrical Songs. The majority of these songs are narrative or historical poems, the most outstanding being “Hou Ji, the Lord of Corn,” “Duke Liu,” “The Migration in 1325 B.C.,” “the Rise of Zhou” and “Three Kings of Zhou” in the Epic, all of which describe the founding of the Zhou House. Songs of the later Western Zhou period during the 9th and 8th centuries B.C. include most of the Epics and practically all the Odes as well as a few folk Songs. Some Epics and Odes extol the military prowess of King Xuan who reigned at the end of the 9th and the beginning of the 8th century and led expeditions against the frontier tribes. “Expedition against Xu” describes his attack on the Xu tribes in the east, in which we find the embryo of Sun Wu’s military strategy; “General Ji Fu” narrates King Xuan’s northern expedition against the Huns and “General Fang” his southern campaign against the Chu tribes. These spirited, vigorous yet dignified Odes were composed by officials or historians, for example, “General Ji Fu” by Zhang Zhong, “Count of Shen” and “Prenuer Shan Fu” by General Ji Fu. Although competent enough, they cannot compare with soldiers’ song like “A Homesick Warrior, ”of which the last stanza was considered as the most beautiful verse in the Book of Poetry.

The best verse comes from the Book of Songs collected in the Eastern Zhou Dynasty from the 8th to the 6th century B.C. Most of the folk songs, written in a simple and natural style, reflect the life and struggle, labor and love, joys and sorrows of the people in ancient times. For instance, “Life of Peasants” gives a fairly comprehensive picture of the work of the peasants; “The Woodcutter’s Song” satirizes against those idle and greedy lords, “Plantain Gathering” sings of the labor of women who gathered plantain seed; “A Deer Killer and a Jadelike Maiden” describes a hunter’s love, “Cooing and Wooing” narrates the life and love of a young man and a fair maiden from spring to winter and their joy at wedding; “The Peasants’ Complaint” expresses the sorrows of peasants, “Complaint of a Soldier” that of a homesick soldier, “A Farewell Song” and “My Green Robe” describe grief at parting and over death.

As Confucius said, “Poetry may serve to inspire, to reflect, to communicate and to admonish,” we may say that the Book of Songs serves chiefly to reflect the life of the labouring people, to inspire them to do good and to admonish the rulers against doing wrong. For instance, the first and second sections reflect the domestic life of the ancient Chinese people, the third to fifth sections serve to admonish the lords of their faults, the seventh and twelfth sections are mostly love songs, the thirteenth and fourteenth sections reflect the general decay of the State and the last section inspires the people to admire their Duke.

The Book of Odes serves chiefly to communicate, to admonish and to reflect the life of the nobles. For instance, the first decade contains six Odes used at the royal banquet, the second decade includes two Odes used in district entertainment and two describing the royal hunting, the third decade contains an official’s complaint against the disorder of the time (“The Toilers”) and a soldier’s against the minister of war (“To the Minister of War”), the fourth decade is composed of complaints against King You and his favorite Lady Shi of Bao (from “To Grand Master Yin” to “A Eunuch’s Song”), the fifth decade consists of Odes of the oppressed nobles and “Revelry” is a very good picture of the dissipation of the time, the sixth decade is remarkable for “Harvest” and “Farm Work,” and the last decade is chiefly censure on King Li’s misgovernment, “A Homesick Warrior,” “A Soldier’s Wife,” etc. might be classified as Epics for they describe the life of soldiers and generals.

The Book of Epics records historic deeds and reflects the life of the rulers. For instance, in the first decade there are six epic odes about King Wen, two about King Wu and two about their ancestors King Tai and King Ji (“The Migration in 1325 B.C.”, “The Rise of Zhou”). In the second decade “Hou Ji, the Lord of Corn” tells us the story of Hou Ji, Lord of Grain or Corn, founder of the Zhou House, there are three epic odes about King Cheng, and another three are censures on King Li. The first three epic odes in the third decade are admonitions against King Ping, King Li and King Xuan respectively, the next three epic odes record the deeds of “Count of Shen,” “Premier Shan Fu” and “The Marquis of Han” and the last two are censures on King You.

The Book of Hymns serves chiefly to glorify the ancestors of the rulers and inspire their descendents to worship them as gods. The book is subdivided into three sections: “Hymns of Zhou,” “Hymns of Lu” and “Hymns of Shang.” In the first decade of the “Hymns of Zhou” there are three odes singing the praises of King Wen, three of King Wu, four of King Cheng and one of Hou Ji, Lord of Grain or Corn. The second decade begins with an ode on husbandry and ends with a hymn to King Wu sung to the music regulating the dance in the temple. Other Hymns are sacrificial odes. The third decade is said to be composed by the Duke of Zhou himself as regent. The first seven Hymns are all concerned with King Cheng, his ascension, his consultation with his ministers, his self-criticism, his cultivation of the ground and his thanks-giving sacrifiee. The last four are said to belong to the same series as “Hymn to King Wu Great and Bright, ”sung to accompany the dance in honor of King Wu.

The “Hymns of Lu” contains only four odes celebrating Duke Xi of Lu, who was in fact a mediocre ruler, but as the descendent of the Duke of Zhou, he wes privileged to employ royal ceremonies and sacrifices, which was condemned by Confucius.

The “Hymns of Shang” contains five oldest Hymns in the Book. Some critics said the “Hymns of Shang” were written in the eighth century B.C. by Shang descendents in the State of Song, but there is no authentic proof for it...

序

欧美国家很少有人知道，世界上最早的诗集是中国的《诗经》。《诗经》包括三百零五篇诗歌，大约产生于两千五百年前。最早的一篇据陈子展《诗经直解》，是《商颂》中的《长发》，约作于公元前1713年。最晚的一篇，一说是《秦风》中的《无衣》，公元前505年申包胥哭秦庭时，秦哀公为代赋《无衣》之诗；一说是《陈风》中的《株林》，是刺陈灵公“淫乎夏姬”之诗，据《诗经直解》，约作于公元前599年。两说都是公元前6世纪。

《诗经》按照音乐类型分为《国风》、《小雅》、《大雅》和《颂》四个部分。《国风》一百六十篇包括周王室的乐官在十五个诸侯国的封地采集到的民歌民谣。《小雅》七十四篇多是西周贵族宴会用的乐章，《大雅》三十一篇多用于朝廷庆典。《颂》四十篇是用于宗庙祭祀的赞歌，又分为《周颂》三十一篇，《鲁颂》四篇，《商颂》五篇。《商颂》最早，约作于公元前17世纪至12世纪，相传是西周后期宋国大夫正考甫从周太师处得到的；一说是正考甫所作，商王室的后人宋襄公祭祀祖先所用，但是证据不足。

西周早期的诗篇约作于公元前11世纪至9世纪，包括全部《周颂》，一部分《大雅》和一小部分《国风》。大部分诗篇都是“赋”(叙事诗)或史诗，最出色的是《大雅》中的《生民》《公刘》《绵》《皇矣》和《大明》，这些史诗描写了周王朝是如何建立，商王朝是如何灭亡的。西周后期的诗篇约作于公元前9至8世纪，包括大部分《大雅》，几乎全部《小雅》，还有一小部分《国风》。有些雅歌赞颂了中兴的周宣王（公元前9世纪末至8世纪初在位）南征北战的赫赫武功，如《大雅?常武》描写了宣王东征徐国的胜利；《小雅?六月》记载了尹吉甫北伐狁的史实；《小雅?采芑》叙述了方叔南征荆楚的武功。这些意气风发、斗志昂扬、威震四方的赞歌颂词的作者，有的是朝廷的史官，有的却是统率三军的大将，如《六月》的作者是“张仲孝友”，而《大雅》中的《崧高》和《烝民》却是“文武吉甫”赠别申伯和仲山甫时所作。这些诗篇虽然极尽了赞颂之能事，但是比起《小雅》中描述士兵亲身经历的《采薇》来，却又显得稍逊一筹；《采薇》中的“昔我往矣，杨柳依依；今我来思，雨雪霏霏”传诵千古，被誉为“《诗》三百中最佳之句”。

《诗经》中最好的作品还是《国风》，包括东周时期采集到的民歌民谣，大部分作于公元前8至6世纪。民歌大都纯朴自然，反映了古代人民各方面的生活、劳动斗争、思想感情、喜怒哀乐。如《豳风?七月》描写了农民一年的劳动生活，他们耕地、织布、打猎，为主人酿酒、修建房屋，自己却不得温饱。《魏风?伐檀》讽刺了不劳而获、贪得无厌的贵族；《周南?芣苢》是农村妇女采集车前子的劳动之歌。《召南?野有死麕》描写猎人如何爱上了一个美丽的少女。《周南?关雎》叙述一对青年男女如何在春天钟情、在夏天求爱、在秋天订亲、在冬天结合的过程。《唐风?鸨羽》表达了农民在外服役的辛苦；《邶风?日月》写出了弃妇的不幸。《击鼓》抒发了士兵思家之情，而《燕燕》和《绿衣》却描写了生离死别的痛苦。

孔子说过：“诗可以兴，可以观，可以群，可以怨。”用今天的话来说，就是诗可以启发，可以反映，可以交流，可以讥讽。在我看来，《国风》主要反映了劳动人民的生活，启发他们去做好事，讽刺了统治者的丑恶行为。如《周南》《召南》反映了古代人民的家庭生活；《卫风》《邶风》讽刺了贵族腐化堕落的习俗；《郑风》《陈风》反映了民间的爱情生活；《豳风》启发了人民对周公的拥戴。

《小雅》主要用于贵族之间交流，反映了贵族的生活，也指责了他们的错误。如《鹿鸣之什》中有六篇用于王家宴会；《南有嘉鱼之什》中有两篇用于诸侯宴会，两篇描写王家狩猎；《鸿雁之什》中第一篇发泄了对乱世的不满，《祈父》却是士兵对大臣的怨言；《节南山之什》都是对周幽王宠爱褒姒的批评；《谷风之什》中有被压迫贵族的呼声；《甫田之什》中有收获时贵族祭神求福的乐歌，其中《宾之初筵》写贵族酗酒的醉态，栩栩如生，是不可多得的佳作；《鱼藻之什》则多是对周厉王暴虐无道的批评。不过《小雅》有些诗篇可以收入《国风》或《大雅》中，如《采薇》《出车》记载西伯、南仲西征的事，可以算是《大雅》。

《大雅》记载史实，反映统治者的生活。如《文王之什》中有六篇记文王事，两篇记武王事，《绵》记古公亶父自豳迁岐，《皇矣》记太王、王季及文王伐密伐崇的事，都是史诗；《生民之什》中第一篇叙述周民族始祖后稷的神话，《假乐》《泂酌》《卷阿》是写成王的诗，《民劳》《板》是刺厉王的诗；《荡之什》中有三篇讽刺厉王，《云汉》等三篇赞美宣王，《崧高》赞美申伯，《烝民》赞美仲山甫，《韩奕》赞美韩侯，《瞻卬》《召旻》讽刺幽王。所以《大雅》可以算是西周王室的兴衰史。

《颂》主要用来赞美王室祖先的丰功伟绩，启发后人对祖先的崇拜，达到齐家治国的目的。《周颂?清庙之什》中歌颂文王、武王、成王的各有三篇，《思文》一篇歌颂后稷。《臣工之什》第一篇是农事诗，第十篇《武》是宗庙舞歌，其他八篇都是祭祀诗。《闵予小子之什》据说是周公摄政时所作，前七篇都与成王有关；《访落》是成王登基的赞歌，《敬之》写成王君臣关系，《小毖》写成王自我批评，《载芟》是农事诗，《良耜》《丝衣》是祭祀诗，《酌》等四篇和《武》一样是宗庙舞歌。《鲁颂》只有四篇，都是赞美鲁僖公的。僖公其实是个平庸之辈，但是作为周公的后裔，享受了王室祭典的特权，受到过孔子的批评。《商颂》是《诗经》中最古的诗篇。《长发》是商王朝的开国史；《那》等三篇歌颂汤武开国之君，《殷武》赞美武丁中兴之举。从内容看，说《商颂》是宋人祭祖乐章，似乎不能令人信服。大致说来，《颂》可以兴，《大雅》可以观，《小雅》可以群，《国风》可以怨。。。

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打开书本，书装帧精美，纸张很干净，文字排版看起来非常舒服非常的惊喜，让人看得欲罢不能，每每捧起这本书的时候似乎能够感觉到作者毫无保留的把作品呈现在我面前。作业深入浅出的写作手法能让本人犹如身临其境一般，好似一杯美式咖啡，看似快餐，其实值得回味无论男女老少，第一印象最重要。”从你留给别人的第一印象中，就可以让别人看出你是什么样的人。所以多读书可以让人感觉你知书答礼，颇有风度。多读书，可以让你多增加一些课外知识。培根先生说过：“知识就是力量。”不错，多读书，增长了课外知识，可以让你感到浑身充满了一股力量。这种力量可以激励着你不断地前进，不断地成长。从书中，你往往可以发现自己身上的不足之处，使你不断地改正错误，摆正自己前进的方向。所以，书也是我们的良师益友。多读书，可以让你变聪明，变得有智慧去战胜对手。书让你变得更聪明，你就可以勇敢地面对困难。让你用自己的方法来解决这个问题。这样，你又向你自己的人生道路上迈出了一步。多读书，也能使你的心情便得快乐。读书也是一种休闲，一种娱乐的方式。读书可以调节身体的血管流动，使你身心健康。所以在书的海洋里遨游也是一种无限快乐的事情。用读书来为自己放松心情也是一种十分明智的。读书能陶冶人的情操，给人知识和智慧。所以，我们应该多读书，为我们以后的人生道路打下好的、扎实的基础！读书养性，读书可以陶冶自己的性情，使自己温文尔雅，具有书卷气；读书破万卷，下笔如有神，多读书可以提高写作能力，写文章就才思敏捷；旧书不厌百回读，熟读深思子自知，读书可以提高理解能力，只要熟读深思，你就可以知道其中的道理了；读书可以使自己的知识得到积累，君子学以聚之。总之，爱好读书是好事。让我们都来读书吧。其实读书有很多好处,就等有心人去慢慢发现. 最大的好处是可以让你有属于自己的本领靠自己生存。最后在好评一下京东客服服务态度好，送货相当快,包装仔细！这个也值得赞美下希望京东这样保持下去，越做越好

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给小孩接受传统文化熏陶的，同时不忘学英语，中西合璧才是王道啊！许老的翻译还是很兼顾传统文化的

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内容不错，就是排班不太好，前面全部是英文，后面全部是中文，不是每首诗中英文对照

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很多诗词都没有好好背过，这次一看一定要多学习

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非常不错古诗词学习图书《唐诗三百首》，中英文对照，不仅能学习古诗词、古文，而且可以学习古诗词翻译之美，非常喜欢，书的质量非常好，内容也非常好，不仅适合成年人读，也很合适小朋友阅读，遇到了京东限时特惠，非常划算。包装非常完整，物流送货非常及时！

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中华智慧的代表作，要努力用心参学

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书很不错，值得一读。包装和快递也都很满意